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โ€งโ‚Šหš โ˜๏ธโ‹…๐‘๐ž๐ฌ๐ฎ๐ฅ๐ญ๐ฌ : ๐’๐ฉ๐ข๐ซ๐ข๐ญ'๐ฌ ๐“๐ฐ๐ข๐ฅ๐ข๐ ๐ก๐ญ๐“‚ƒ เฃช ึดึถึธโ˜พใ€‚

๐–  ๐—๐–พ๐–บ๐—‹๐—๐–ฟ๐–พ๐—…๐— ๐—๐—๐–บ๐—‡๐—„ ๐—’๐—ˆ๐—Ž ๐—๐—ˆ ๐—ˆ๐—Ž๐—‹ ๐–พ๐—‡๐–ผ๐—๐–บ๐—‡๐—๐—‚๐—‡๐—€ ๐—ƒ๐—Ž๐–ฝ๐—€๐–พ, christeewrites, ๐–ฟ๐—ˆ๐—‹ ๐—๐—๐–พ๐—‚๐—‹ ๐—†๐–บ๐—€๐—‚๐–ผ๐–บ๐—… ๐–ฝ๐–พ๐–ฝ๐—‚๐–ผ๐–บ๐—๐—‚๐—ˆ๐—‡ ๐–บ๐—‡๐–ฝ ๐—๐—‚๐—Œ๐–ฝ๐—ˆ๐—†. ๐–ข๐—ˆ๐—‡๐—€๐—‹๐–บ๐—๐—Ž๐—…๐–บ๐—๐—‚๐—ˆ๐—‡๐—Œ ๐—๐—ˆ ๐–บ๐—…๐—… ๐—๐—๐–พ ๐—Œ๐—‰๐–พ๐—…๐—…๐–ป๐—‚๐—‡๐–ฝ๐—‚๐—‡๐—€ ๐—๐—‚๐—‡๐—‡๐–พ๐—‹๐—Œ-๐—’๐—ˆ๐—Ž๐—‹ ๐–ป๐—‹๐—‚๐—…๐—…๐—‚๐–บ๐—‡๐–ผ๐–พ ๐—๐—‹๐—Ž๐—…๐—’ ๐—Œ๐—๐—‚๐—‡๐–พ๐—Œ!

โ”โ”โ”โ”

๐”Œ . โ‹ฎ 1๐—ฆ๐—ง ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ช๐—œ๐—ก๐—ก๐—˜๐—ฅ .แŸ ึน โ‚Š ๊’ฑ

ataliass ยป Perfect Timing

๐—–๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜€๐˜๐—ฟ๐—ฒ๐—ป๐—ด๐˜๐—ต โช17/20โซ

๐—–๐—ผ๐—บ๐—ฝ๐—น๐—ฒ๐˜…๐—ถ๐˜๐˜† โช18/20โซ

๐—๐—ผ๐˜‚๐—ฟ๐—ป๐—ฒ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—š๐—ฟ๐—ผ๐˜„๐˜๐—ต โช17/20โซ

๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜๐—ต๐—ฒ Story โช17/20โซ

๐—ฅ๐—ฒ๐—น๐—ฎ๐˜๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† โช18/20โซ

โžฆ ๐—ง๐—ผ๐˜๐—ฎ๐—น : โช87/100โซ

โŒžRecommendations for improvementโŒ
While the tension between Charlotte and Jasper is well-crafted, the story risks feeling predictable if it follows the standard beats of a love triangle or a last-minute wedding confession. The emotional stakes are high, but they need to be matched with depth in Jasper's character-does he still love Charlotte, or is she truly too late? Without a compelling exploration of his emotions, the story risks being a one-sided heartbreak rather than a fully realized, poignant love story.

โ”โ”โ”โ”

๐”Œ . โ‹ฎ 2๐—ก๐—— ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ช๐—œ๐—ก๐—ก๐—˜๐—ฅ .แŸ ึน โ‚Š ๊’ฑ

ajroker ยป Lost Love = Misery Growing

๐—–๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜€๐˜๐—ฟ๐—ฒ๐—ป๐—ด๐˜๐—ต โช16/20โซ

๐—–๐—ผ๐—บ๐—ฝ๐—น๐—ฒ๐˜…๐—ถ๐˜๐˜† โช18/20โซ

๐—๐—ผ๐˜‚๐—ฟ๐—ป๐—ฒ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—š๐—ฟ๐—ผ๐˜„๐˜๐—ต โช15/20โซ

๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜๐—ต๐—ฒ Story โช16/20โซ

๐—ฅ๐—ฒ๐—น๐—ฎ๐˜๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† โช15/20โซ

โžฆ ๐—ง๐—ผ๐˜๐—ฎ๐—น : โช80/100โซ

โŒž Recommendations for improvementโŒ
The conflict lacks originality, treading familiar ground without offering anything truly unexpected. Sophia's reappearance follows predictable beats, and while her absence initially feels like an intriguing mystery, the eventual revelations lack the impact needed to justify Ethan's emotional spiral. Julia, unfortunately, comes across as a placeholder rather than a fully developed character, making Ethan's dilemma feel less like a heartbreaking choice and more like an inevitable regression.

โ”โ”โ”โ”

๐”Œ . โ‹ฎ 3๐—ฅ๐—— ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ช๐—œ๐—ก๐—ก๐—˜๐—ฅ .แŸ ึน โ‚Š ๊’ฑ

7Bibliophile3 ยป Champagne Life

๐—–๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜€๐˜๐—ฟ๐—ฒ๐—ป๐—ด๐˜๐—ต โช15/20โซ

๐—–๐—ผ๐—บ๐—ฝ๐—น๐—ฒ๐˜…๐—ถ๐˜๐˜† โช14/20โซ

๐—๐—ผ๐˜‚๐—ฟ๐—ป๐—ฒ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—š๐—ฟ๐—ผ๐˜„๐˜๐—ต โช13/20โซ

๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜๐—ต๐—ฒ Story โช16/20โซ

๐—ฅ๐—ฒ๐—น๐—ฎ๐˜๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† โช14/20โซ

โžฆ ๐—ง๐—ผ๐˜๐—ฎ๐—น : โช72/100โซ

โŒžRecommendations for improvementโŒ
The storyline occasionally leans into familiar tropes without fully subverting them. While the enemies-to-lovers progression is enjoyable, the revenge plot could have been more intricate, with deeper stakes beyond the personal grudge. Reyansh's character development, though compelling, sometimes feels a bit rushed-his shift from antagonist to devoted partner could have benefited from more gradual emotional beats.

Additionally, the prose and pacing does not always match the intensity of the themes. Some moments are well written, while others lean into predictable dialogue and exposition that slow the narrative. The tension between Kyra and Reyansh is strongest in the earlier sections, but the resolution feels a bit too neatly wrapped. The writing style has room for quite a bit of improvement.

โ”โ”โ”โ”

๐”Œ . โ‹ฎ ๐—ก๐—ข๐—•๐—Ÿ๐—˜ ๐—ฃ๐—”๐—ฅ๐—ง๐—œ๐—–๐—œ๐—ฃ๐—”๐—ก๐—ง๐—ฆ .แŸ ึน โ‚Š ๊’ฑ

@Mochi711 ยป Letters Across the River | J.h.s Short Story

๐—–๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜€๐˜๐—ฟ๐—ฒ๐—ป๐—ด๐˜๐—ต โช7/20โซ

๐—–๐—ผ๐—บ๐—ฝ๐—น๐—ฒ๐˜…๐—ถ๐˜๐˜† โช5/20โซ

๐—๐—ผ๐˜‚๐—ฟ๐—ป๐—ฒ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—š๐—ฟ๐—ผ๐˜„๐˜๐—ต โช13/20โซ

๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜๐—ต๐—ฒ Story โช7/20โซ

๐—ฅ๐—ฒ๐—น๐—ฎ๐˜๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† โช11/20โซ

โžฆ ๐—ง๐—ผ๐˜๐—ฎ๐—น : โช43/100โซ

โŒžRecommendations for improvementโŒ
The writing style and prose should be clear, engaging, and suited to the tone and genre of the book. If the prose is too complex, repetitive, or dry, it can make reading feel tedious rather than enjoyable.

The dialogue should feel natural, reflecting the personality and background of each character while also serving to advance the plot. The conversations are stiff, unrealistic, and too short to leave an impact.

The theme and message of the book should be impactful and integrated seamlessly into the narrative without feeling forced or unclear.

The structure and pacing should ensure a smooth flow, balancing action, tension, and quieter moments effectively. The story drags in the middle or rushes toward the end, it can weaken the emotional payoff and leave readers unsatisfied.

The emotional engagement and reader connection should be strong enough to make readers care about the characters and their journey. The story lacks emotional depth or meaningful stakes, and fails to leave a lasting impression.

โ”โ”โ”โ”

itz_mezieee ยป Monster of the Unknown

๐—–๐—ผ๐˜‚๐—ฟ๐—ฎ๐—ด๐—ฒ ๐—ฎ๐—ป๐—ฑ ๐˜€๐˜๐—ฟ๐—ฒ๐—ป๐—ด๐˜๐—ต โช15/20โซ

๐—–๐—ผ๐—บ๐—ฝ๐—น๐—ฒ๐˜…๐—ถ๐˜๐˜† โช12/20โซ

๐—๐—ผ๐˜‚๐—ฟ๐—ป๐—ฒ๐˜† ๐—ฎ๐—ป๐—ฑ ๐—š๐—ฟ๐—ผ๐˜„๐˜๐—ต โช13/20โซ

๐—–๐—ผ๐—ป๐—ป๐—ฒ๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐˜๐—ผ ๐˜๐—ต๐—ฒ Story โช16/20โซ

๐—ฅ๐—ฒ๐—น๐—ฎ๐˜๐—ฎ๐—ฏ๐—ถ๐—น๐—ถ๐˜๐˜† โช14/20โซ

โžฆ ๐—ง๐—ผ๐˜๐—ฎ๐—น : โช70/100โซ

โŒžRecommendations for improvementโŒ
The pacing of the story wavers, particularly in the early chapters. While the mystery is engaging, some of the exposition surrounding the history of the zegens and the Zomer can feel dense, slowing down the initial momentum. The antagonists, while menacing, could benefit from deeper development, as their motivations sometimes feel like echoes of past villains rather than truly unique forces of their own. The true horror of Feto is hinted at but remains underexplored for much of the narrative, making its looming presence more of an abstract fear rather than an immediate, tangible threat.

โ”โ”โ”โ”

๐–  ๐—‹๐—ˆ๐—Ž๐—‡๐–ฝ ๐—ˆ๐–ฟ ๐–พ๐—‡๐–ผ๐—๐–บ๐—‡๐—๐–พ๐–ฝ ๐–บ๐—‰๐—‰๐—…๐–บ๐—Ž๐—Œ๐–พ ๐—๐—ˆ ๐–บ๐—…๐—… ๐—ˆ๐—Ž๐—‹ ๐—๐—‚๐—‡๐—‡๐–พ๐—‹๐—Œ! ๐–ณ๐—ˆ ๐–พ๐—๐–พ๐—‹๐—’ ๐—‰๐–บ๐—‹๐—๐—‚๐–ผ๐—‚๐—‰๐–บ๐—‡๐—, ๐—๐—๐–บ๐—‡๐—„ ๐—’๐—ˆ๐—Ž ๐–ฟ๐—ˆ๐—‹ ๐—ƒ๐—ˆ๐—‚๐—‡๐—‚๐—‡๐—€ ๐—ˆ๐—Ž๐—‹ ๐—†๐–บ๐—€๐—‚๐–ผ๐–บ๐—… ๐–บ๐—๐–บ๐—‹๐–ฝ๐—Œ ๐—ƒ๐—ˆ๐—Ž๐—‹๐—‡๐–พ๐—’. ๐–ฑ๐–พ๐—†๐–พ๐—†๐–ป๐–พ๐—‹, ๐–พ๐—๐–พ๐—‡ ๐—‚๐–ฟ ๐—๐—‚๐–ผ๐—๐—ˆ๐—‹๐—’ ๐–ฝ๐—‚๐–ฝ๐—‡'๐— ๐–ฟ๐—‚๐—‡๐–ฝ ๐—’๐—ˆ๐—Ž ๐—๐—๐—‚๐—Œ ๐—๐—‚๐—†๐–พ, ๐—’๐—ˆ๐—Ž๐—‹ ๐—Œ๐—๐—ˆ๐—‹๐—’ ๐—Œ๐—๐—‚๐—‡๐–พ๐—Œ ๐—๐—‚๐—๐— ๐—‚๐—๐—Œ ๐—ˆ๐—๐—‡ ๐—Ž๐—‡๐—‚๐—Š๐—Ž๐–พ ๐—Œ๐—‰๐–พ๐—…๐—…๐–ป๐—‚๐—‡๐–ฝ๐—‚๐—‡๐—€ ๐–ผ๐—๐–บ๐—‹๐—†.

๐–ฏ๐—‹๐–พ๐—‰๐–บ๐—‹๐–พ ๐—’๐—ˆ๐—Ž๐—‹๐—Œ๐–พ๐—…๐—๐–พ๐—Œ, ๐–ฟ๐—ˆ๐—‹ ๐—Œ๐—ˆ๐—ˆ๐—‡ ๐—๐—๐–พ ๐—๐—‹๐–พ๐–บ๐—Œ๐—Ž๐—‹๐–พ๐—Œ ๐—ˆ๐–ฟ ๐—Œ๐—๐—‚๐–ผ๐—„๐–พ๐—‹๐—Œ, ๐–ผ๐–พ๐—‹๐—๐—‚๐–ฟ๐—‚๐–ผ๐–บ๐—๐–พ๐—Œ, ๐–บ๐—‡๐–ฝ ๐—ˆ๐—๐—๐–พ๐—‹ ๐—‰๐—‹๐—‚๐—“๐–พ๐—Œ ๐—๐—‚๐—…๐—… ๐–ป๐–พ ๐—Ž๐—‡๐—๐–พ๐—‚๐—…๐–พ๐–ฝ ๐—‚๐—‡ ๐—๐—๐–พ ๐–ผ๐—๐–บ๐—‰๐—๐–พ๐—‹๐—Œ ๐–บ๐—๐–พ๐–บ๐–ฝ!

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