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โ€งโ‚Šหš โ˜๏ธโ‹…๐‘๐ž๐ฌ๐ฎ๐ฅ๐ญ๐ฌ : ๐Ž๐ฉ๐ž๐ง๐ข๐ง๐  ๐’๐ฉ๐ž๐ฅ๐ฅ๐“‚ƒ เฃช ึดึถึธโ˜พใ€‚

๐–  ๐—๐–พ๐–บ๐—‹๐—๐–ฟ๐–พ๐—…๐— ๐—๐—๐–บ๐—‡๐—„ ๐—’๐—ˆ๐—Ž ๐—๐—ˆ ๐—ˆ๐—Ž๐—‹ ๐–พ๐—‡๐–ผ๐—๐–บ๐—‡๐—๐—‚๐—‡๐—€ ๐—ƒ๐—Ž๐–ฝ๐—€๐–พ, Gise_lliana, ๐–ฟ๐—ˆ๐—‹ ๐—๐—๐–พ๐—‚๐—‹ ๐—†๐–บ๐—€๐—‚๐–ผ๐–บ๐—… ๐–ฝ๐–พ๐–ฝ๐—‚๐–ผ๐–บ๐—๐—‚๐—ˆ๐—‡ ๐–บ๐—‡๐–ฝ ๐—๐—‚๐—Œ๐–ฝ๐—ˆ๐—†. ๐–ข๐—ˆ๐—‡๐—€๐—‹๐–บ๐—๐—Ž๐—…๐–บ๐—๐—‚๐—ˆ๐—‡๐—Œ ๐—๐—ˆ ๐–บ๐—…๐—… ๐—๐—๐–พ ๐—Œ๐—‰๐–พ๐—…๐—…๐–ป๐—‚๐—‡๐–ฝ๐—‚๐—‡๐—€ ๐—๐—‚๐—‡๐—‡๐–พ๐—‹๐—Œ-๐—’๐—ˆ๐—Ž๐—‹ ๐–ป๐—‹๐—‚๐—…๐—…๐—‚๐–บ๐—‡๐–ผ๐–พ ๐—๐—‹๐—Ž๐—…๐—’ ๐—Œ๐—๐—‚๐—‡๐–พ๐—Œ!

โ”โ”โ”โ”

๐”Œ . โ‹ฎ 1๐—ฆ๐—ง ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ช๐—œ๐—ก๐—ก๐—˜๐—ฅ๐—ฆ .แŸ ึน โ‚Š ๊’ฑ

sondermelle ยป Listen To Me

Scene setting (17/20)

Foreshadowing (18.5/20)

Tone Establishment (20/20)

Character introduction (20/20)

Connection to the main plot (20/20)

โžฆ Total: (95.5/100)

Recommendation for improvements:
The prologue was extremely well written. Grammar, vocabulary and phrase construction was fantabulous! Consider adding a bit more details for the purpose of enhancing the world building. Overall it was great! Great Work! Keep it up!

โ”โ”โ”โ”

๐”Œ . โ‹ฎ 2๐—ก๐—— ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ช๐—œ๐—ก๐—ก๐—˜๐—ฅ .แŸ ึน โ‚Š ๊’ฑ

wordywonders ยป Against the Dark

Scene setting (20/20)

Foreshadowing (18/20)

Tone Establishment (20/20)

Character introduction (18/20)

Connection to the main plot (19/20)

โžฆ Total: (95/100)

Recommendation for improvements:
The prologue was very well written indeed. Except for few occasional grammatical errors that could be eliminated via proofreading, everything else was just perfect. Good Work!

โ”โ”โ”โ”

๐”Œ . โ‹ฎ 3๐—ฅ๐—— ๐—ฃ๐—Ÿ๐—”๐—–๐—˜ ๐—ช๐—œ๐—ก๐—ก๐—˜๐—ฅ .แŸ ึน โ‚Š ๊’ฑ

ajroker ยป The Crown Princess' Choice

Scene setting (14/20)

Foreshadowing (20/20)

Tone Establishment (20/20)

Character introduction (20/20)

Connection to the main plot (19/20)

โžฆ Total: (93/100)

Recommendation for improvements:
The prologue was very well written with an extravagant use of vocabulary which set up the good start for the story. Here are the things you can work on:

1. The description about the place where the scene is taking place is a bit less and therefore is not able to paint a vivid image of the surroundings in a readers mind.

2. Even though the actions of the characters is extremely detailed but the emotional aspect is a bit lacking.

โ”โ”โ”โ”

๐”Œ . โ‹ฎ ๐—ก๐—ข๐—•๐—Ÿ๐—˜ ๐—ฃ๐—”๐—ฅ๐—ง๐—œ๐—–๐—œ๐—ฃ๐—”๐—ก๐—ง๐—ฆ .แŸ ึน โ‚Š ๊’ฑ

EyesDucking ยป Imperfectly Perfect

Scene setting (18/20)

Foreshadowing (15/20)

Tone Establishment (20/20)

Character introduction (19/20)

Connection to the main plot (17/20)

โžฆ Total: (89/100)

Recommendation for improvements:
The prologue is well established. The words used and description curated out of it was brilliant. Here are the few things you can work on.

1. The part named as description or the author's note, you have made a mistake and mentioned it as a prologue in one of your lines in the same chapter. That definitely confused the reader.

2. There are few grammatical errors that can be removed by thorough proof reading.

3. Instead of writing dates separately, use it in the opening paragraph itself since it looks like a diary entry in here.

โ”โ”โ”โ”

jennyprof ยป Streamfeather's Adventures

Scene setting (12/20)

Foreshadowing (17/20)

Tone Establishment (20/20)

Character introduction (20/20)

Connection to the main plot (17/20)

โžฆ Total: (86/100)

Recommendation for improvements:
Prologue, indeed was interesting to read. Here are the recommendations for improvement:

1. Description of the environment where the scene is taking place wasn't sufficient enough.

2. Don't use caps to highlight thoughts, rather use simple language or italics in that case.

โ”โ”โ”โ”

Kit1234kat ยป Our Revenge

Scene setting (09/20)

Foreshadowing (20/20)

Tone Establishment (07/20)

Character introduction (20/20)

Connection to the main plot (17/20)

โžฆ Total: (73/100)

Recommendation for improvements:
The prologue provided a subtle and sufficient amount of information which inturn was a very good start for the book. Here are the recommendations for improvement.

1. Don't use caps for flashbacks, either explain it with the help of words or maybe use italics.

2. There are many grammatical errors. And for years you have used numbers (7,15). Instead of those use words and not numerics (seven, fifteen).

3. The structure and pacing is off too. Consider phrasing smaller paragraphs and have them aligned all along. Pacing is very fast.

4. Lack of descriptive language has made the content a bit harder to visualize.

โ”โ”โ”โ”

GoldenieTwilightie ยป The Last of Them

Scene setting (12/20)

Foreshadowing (16/20)

Tone Establishment (20/20)

Character introduction (13/20)

Connection to the main plot (19/20)

โžฆTotal: (60/100)

Recommendation for improvements:
The prologue was quite intriguing and at the same time had little to no errors.Here are the recommendations for improvement:

1. The lack of descriptive language made the content hard to be visualized which inturn wasn't successful in world building.

2. There is very little introduction of the main characters, consider adding a bit more detail to the prologue in this regards.

3. Structural refinements are required.

โ”โ”โ”โ”

emilypoole977 ยป I wish for another life

Scene setting (12/20)

Foreshadowing (15/20)

Tone Establishment (20/20)

Character introduction (05/20)

Connection to the main plot (13/20)

โžฆTotal: (55/100)

Recommendation for improvements:
Even though the prologue was short, it was rather interesting to read. Here are few things you can work on:

1. The prologue lacks description in all the aspects, be it scene setting, emotional displays or actions. Everything was very hazy.

2. The structure of the prologue wasn't that bad but can be better by priper construction and paragraphing.

3. There are quite some grammatical and punctuation errors followed by awkward phrasing as well.

4. The main characters are not introduced effectively.

โ”โ”โ”โ”

_reichii ยป Calathea

Scene setting (11/20)

Foreshadowing (10/20)

Tone Establishment (10/20)

Character introduction (09/20)

Connection to the main plot (14/20)

โžฆTotal: (54/100)

Recommendation for improvements:
First of all, the prologue was too short but the grammar and sentence construction was on point. Here are the recommendations for improvement.

1. The prologue is too short and not very descriptive. Except for the mention of the city there is no description about where the scene is taking place which in turn falls short of the criterion for a successful world building.

2. Prologue's purpose is usually to serve as a building block for the novel, i.e. to introduce the readers with the characters and their backgrounds to make them familiarize with each other. In this case it fell short of the criterion and there of wasn't able to successfully serve it's purpose.

3. You did align the prologue with the name of the novel, however it's connection to the story remained vague and uncertain.

โ”โ”โ”โ”

๐–  ๐—‹๐—ˆ๐—Ž๐—‡๐–ฝ ๐—ˆ๐–ฟ ๐–พ๐—‡๐–ผ๐—๐–บ๐—‡๐—๐–พ๐–ฝ ๐–บ๐—‰๐—‰๐—…๐–บ๐—Ž๐—Œ๐–พ ๐—๐—ˆ ๐–บ๐—…๐—… ๐—ˆ๐—Ž๐—‹ ๐—๐—‚๐—‡๐—‡๐–พ๐—‹๐—Œ! ๐–ณ๐—ˆ ๐–พ๐—๐–พ๐—‹๐—’ ๐—‰๐–บ๐—‹๐—๐—‚๐–ผ๐—‚๐—‰๐–บ๐—‡๐—, ๐—๐—๐–บ๐—‡๐—„ ๐—’๐—ˆ๐—Ž ๐–ฟ๐—ˆ๐—‹ ๐—ƒ๐—ˆ๐—‚๐—‡๐—‚๐—‡๐—€ ๐—ˆ๐—Ž๐—‹ ๐—†๐–บ๐—€๐—‚๐–ผ๐–บ๐—… ๐–บ๐—๐–บ๐—‹๐–ฝ๐—Œ ๐—ƒ๐—ˆ๐—Ž๐—‹๐—‡๐–พ๐—’. ๐–ฑ๐–พ๐—†๐–พ๐—†๐–ป๐–พ๐—‹, ๐–พ๐—๐–พ๐—‡ ๐—‚๐–ฟ ๐—๐—‚๐–ผ๐—๐—ˆ๐—‹๐—’ ๐–ฝ๐—‚๐–ฝ๐—‡'๐— ๐–ฟ๐—‚๐—‡๐–ฝ ๐—’๐—ˆ๐—Ž ๐—๐—๐—‚๐—Œ ๐—๐—‚๐—†๐–พ, ๐—’๐—ˆ๐—Ž๐—‹ ๐—Œ๐—๐—ˆ๐—‹๐—’ ๐—Œ๐—๐—‚๐—‡๐–พ๐—Œ ๐—๐—‚๐—๐— ๐—‚๐—๐—Œ ๐—ˆ๐—๐—‡ ๐—Ž๐—‡๐—‚๐—Š๐—Ž๐–พ ๐—Œ๐—‰๐–พ๐—…๐—…๐–ป๐—‚๐—‡๐–ฝ๐—‚๐—‡๐—€ ๐–ผ๐—๐–บ๐—‹๐—†.

๐–ฏ๐—‹๐–พ๐—‰๐–บ๐—‹๐–พ ๐—’๐—ˆ๐—Ž๐—‹๐—Œ๐–พ๐—…๐—๐–พ๐—Œ, ๐–ฟ๐—ˆ๐—‹ ๐—Œ๐—ˆ๐—ˆ๐—‡ ๐—๐—๐–พ ๐—๐—‹๐–พ๐–บ๐—Œ๐—Ž๐—‹๐–พ๐—Œ ๐—ˆ๐–ฟ ๐—Œ๐—๐—‚๐–ผ๐—„๐–พ๐—‹๐—Œ, ๐–ผ๐–พ๐—‹๐—๐—‚๐–ฟ๐—‚๐–ผ๐–บ๐—๐–พ๐—Œ, ๐–บ๐—‡๐–ฝ ๐—ˆ๐—๐—๐–พ๐—‹ ๐—‰๐—‹๐—‚๐—“๐–พ๐—Œ ๐—๐—‚๐—…๐—… ๐–ป๐–พ ๐—Ž๐—‡๐—๐–พ๐—‚๐—…๐–พ๐–ฝ ๐—‚๐—‡ ๐—๐—๐–พ ๐–ผ๐—๐–บ๐—‰๐—๐–พ๐—‹๐—Œ ๐–บ๐—๐–พ๐–บ๐–ฝ!

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