Chagall and the Underground
Kiyevskaya,
so sugar-glazed, so cupcake-ornate,
a devotee would drool, eyes dilated.
Mosaics featuring
borsch-cheeked peasants harvesting -
all idyllic, arm swinging and robust singing,
all pristinely costumed and coiffed,
no churlish protestors in this
Stalinist vision,
no Trotsky-revisionists. Not even,
a Lenin.
I think we get to see him next.
...
Stop! Re -
wind.
Take a moment to feel contrite.
Though 'Peoples' Palaces' is cringe-worthy-callous;
yet, perhaps these sumptuous stations
were of some little inspiration?
If nothing more than: 'I can do that!'
or more pertinent: 'I can do
so much better'.
In the days before the palaces
were opened for business, the previous
tenants having been ejected
and the resources of privilege, kind of,
distributed, against what
could a Chagall cut his genius? Being
penurious and worse – Jewish -
he had no legal right to education,
though he was befriended and all ended, well.
But he never went to Moscow, did he?
No, only St. Petersburg.
So, he never got to see the Metro, at all.
Clearly, not.
Then what are arguing?
I guess, not a lot.
It's just that one should not arrogantly
blanket-dismiss even the most
blatantly unworthy of self-serving gestures.
Even propaganda can ignite
the sensory-deprived, all grist to the mill.
That's it?
Yes, well,
I never really promised anything
especially revelatory, just
passing thoughts.
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