1. EXT - OUTSIDE OF A BAR - NIGHT

Mr. Sai stands on the road, supporting his drunk colleague as he tries to flag down a taxi. A cab pulls over, and he carefully helps his friend inside, shutting the door with a sigh. Just then, he notices a familiar figure across the street—it's Mizu. She’s holding her bag and stumbling forward, looking worn out and exhausted, almost as if she’s drunk. Mr. Sai watches her curiously as she heads into the bar in front of her.

2. INT - INSIDE A BAR - NIGHT

Mizu sits alone in a quiet corner of the dimly lit bar, looking heartbroken as she sips bitterly from her glass of wine. Mr. Sai approaches, hands in his pockets. Mizu scoffs at his presence, ignoring him and focusing on her drink. Unfazed, Mr. Sai takes a seat across from her, silently watching, as if waiting for her to speak.

MIZU
(Drunk)
This is my table. Why’d you sit here without asking first?

MR. SAI
(Fiercely glancing at Mizu)
Well, Is it so wrong for me to want to drink here?

MIZU
(Talking lifelessly)
There are plenty of other tables. Go sit somewhere else.

Mizu downs another shot, placing her glass on the table with a heavy thud, breathing deeply. She’s visibly intoxicated.

MIZU
(Squinting)
Wait... why are you here anyways? Are you sad, too?

MR. SAI
(Tilting his head)
Something like that.

MIZU
You get hurt, too?

MR. SAI
I’m also human with feelings.

MIZU
(Sighing)
You are right. They say sharing sorrow makes it go away. Do you want to share your sorrows?

MR. SAI
(Nods)
Maybe (pauses) . So, why are you here?

MIZU
(Totally wasted)
You know, I’ve never liked anyone.
(Pauses, pouting)
Neither has he. He told me that if we’re both still single by 40, he’ll marry me.
(Takes another shot)

Mr. Sai reaches over to stop her from drinking more, but she grabs his hand and takes another drink.

MIZU
But now… he likes someone else. Someone close to me. I don’t like it.

Mr. Sai gently pulls her glass away.

MIZU
Can’t you see I’m sad? Why are you taking my drink?

She tries to reach for it, but Mr. Sai holds her hand.

MIZU
You are so mean.

MR. SAI
So you’re drinking because someone you don’t even like has a crush on someone else?

Mizu leans back, nodding.

MIZU
What if I do like him?

MR. SAI
Then you’d know.

MIZU
(Sighing)
It still makes me sad.

Mizu finally passes out, slumping over the table. Mr. Sai looks resigned as he lifts her, carrying her in a bridal style.

MIZU
(Murmurs)
Am I… not cute enough?

Mr. Sai listens, sighing softly, then carries her out of the bar.

3. INT - INSIDE THE CAR - NIGHT

Mr. Sai gets into the driver’s seat after carefully placing Mizu in the passenger seat. He buckles her seatbelt, glancing at her briefly before starting the car. He drives to her house and pulls up in front. After unbuckling both of their seatbelts, he steps out.

4. EXT - IN FRONT OF MIZU'S HOUSE - NIGHT

Mr. Sai lifts Mizu in his arms again, cradling her as she sleeps soundly, then carries her toward her apartment.

5. INT - IN FRONT OF MIZU'S APARTMENT DOOR - NIGHT

He props Mizu up against the door, but she keeps leaning onto him, leaving him with no choice but to let her rest her head on his chest. He looks at her and suddenly feels affectionate as he gently pushes her hair back to her ears. He pauses and slowly removes his hand as he becomes embarrassed by his own action. Holding her steady, he searches her bag for the apartment key, unlocks the door, and once again lifts her into his arms, carrying her inside since she’s too deeply asleep to wake up.

6. INT - MIZU'S BEDROOM - NIGHT

Mr. Sai places Mizu gently on her bed. As he begins to pull away, she wraps her arms around his neck, murmuring softly. He pauses, taken aback, his gaze drawn to her closed eyes, delicate features, and the serene look on her face. Her nose, lips and her exposed neck. She looks ethereal, but he quickly regains his composure, gently releasing her hands from around his neck. He pulls the covers over her, then stands for a moment, hands in his pockets, watching her quietly before he finally leaves.

The next morning, Mizu is startled awake by the sound of the doorbell. Sitting up in bed, she tries to piece together what happened the night before. When the realization dawns on her, she gasps, covering her mouth with her hand.

MIZU
(whispering to herself)
Why did you get drunk like that?…

The doorbell rings again. She sighs in resignation, then reluctantly gets up to open the door, hitting her head on it purposely.

7. INT - MIZU'S LIVING ROOM - MORNING

Ruka enters, following Mizu into the room with a look of concern and curiosity.

RUKA
Why do you look so worn out, Miss Mizu?

MIZU
I'm so sorry I just overslept.

RUKA
Are you fine?

MIZU
Yes, yes, Please go ahead and sit in the office, I will be back after showering.

Ruka nods, heading to the office room, still puzzled by Mizu’s disheveled appearance.

8. INT - MIZU'S BATHROOM - MORNING

Mizu sits in the bathtub, hands tangled in her hair, her head resting on her knees.

MIZU
(Regretfully)
How am I gonna face him again?

9. INT - OFFICE ROOM - MORNING

Ruka watches as Mizu enters and takes her seat. Mizu, usually warm and welcoming, seems unusually distant today.

RUKA
Miss Mizu, if you’re not feeling well, maybe you should take a break.

MIZU
(Offensively)
Why? Do I look unwell to you?

RUKA
(Hesitantly)
Well…you sort of do…

MIZU
Don’t worry about me. Just focus on your work.

She seems extra rude today. It's the first time, she is treating Ruka this way. Ruka glances away, feeling hurt and confused by Mizu’s sudden coldness. She looks down, disheartened by the change in Mizu’s behavior.

10. INT - KITSU'S AGENCY'S CONFERENCE ROOM - DAY

Everyone is seated in the conference room, including senior staffs, the company director, managers, and several artists. All eyes are on the senior staff as he begins to speak.

SENIOR STAFF
As we all know, we've gathered here to discuss a reallocation of managers among the artists. With some managers handling multiple artists, it can be quite overwhelming. Therefore, Mr. Ashi will be joining our team as a new manager to help share the workload starting very soon. Please give a round of applause for him.

They all clap as MR. ASHI(24) stands up and bows to everyone.

SENIOR STAFF
The changes in management will be announced soon. We hope you all will get along with your new manager.

An artist raises an objection.

ARTIST
Won't this affect the ongoing projects?

SENIOR STAFF
We hope not. We've already taken this in our consideration while scheduling the transition. We will ensure that no project in progress is disrupted by this change, and we are committed to minimize any obstacles to keep everything run smoothly for everyone.

ARTIST 2

I already have a strong connection with my manager. What if I don’t want a new one?

SENIOR STAFF
We’ll take your concerns into consideration. If anyone doesn't have any objections, we announce the meeting is over. Thank you for joining.

11. INT - HALLWAY - DAY

As two managers walk down the hallway, they discuss the meeting.

MANAGER 1
(Frustrated)
I’m already tired of Ray. I wish he’d get a new manager. It’s too hard to manage him.

MANAGER 2
I already feel sorry for his new manager if he has to take on Ray.

They share a laugh as they continue walking.

12. INT - CAFE AREA - DAY

Kitsu sits with one of the senior staff members in the café area, discussing the reallocation.

MR. TANAKA
I understand your concerns, Kitsu. Thank you for bringing this to my attention immediately. We will keep a close watch on Niki, so you can rest assured. I promise, she will never have any idea about it.

KITSU
Thank you, Mr. Tanaka. I hope everything goes smoothly for everyone involved.

Mr. Tanaka places a reassuring hand on Kitsu's shoulder.

MR. TANAKA
Don’t overthink it; you'll drive yourself insane.

They both share a smile at this when they are interrupted by Niki.

NIKI
Kitsu, you have a photoshoot in thirty minutes.

Kitsu stands up at the remark, but Mr. Tanaka stops them.

MR. TANAKA
I suggest you take Ashi with you so he can gain some experience about our work environment.

Niki looks intrigued as she tilts her head in confusion.

NIKI
Are you planning to assign Kitsu to him?

MR. TANAKA
Well, It’s not finalized yet. We’ll have him shadow multiple artists before making a decision.

Niki nods in agreement as Mr. Tanaka leaves.

13. INT - PHOTO STUDIO - DAY

As Kitsu arrives on set with Niki and  Ashi, he is greeted by Jennie. She approaches Kitsu with a smile and helds onto his arm, causing Niki to roll her eyes in annoyance while Ashi looks back and forth between Niki and Jennie, confused.

JENNIE
(Happily)
You’re finally here, Kitsu! I’m so excited for your photoshoot.

Kitsu looks exasperated as Jennie clings to him.

NIKI
What are you doing here, Miss Jennie? Outsiders aren’t allowed on set.

Jennie releases Kitsu’s arm and faces Niki with her arms crossed over her chest.

JENNIE
(Smugly)
The company for which he’s doing this photoshoot is actually owned by my father. Is it wrong for me to come and visit?

NIKI
(Defeated)
Fine. Excuse us then. I’m taking him for hair and makeup. Please wait until we’re done.

Niki leads Kitsu away as Jennie rolls her eyes and takes a seat nearby.

14. INT - MAKEUP ROOM - DAY

NIKI
Honestly, Kitsu, who is that girl? I suggest you stay away from her.

Niki says as Kitsu sits in front of the mirror.

KITSU
I don’t want to get involved with her either, Niki. But she’s my friend and a distant relative. We have family ties, so I can’t be rude. I never initiate anything. She’s just a bit immature. Once she finds a new hobby, she’ll stop bothering me.

NIKI
It better be that way.

She exits as someone enters with Kitsu's costume.

15. INT - PHOTO SHOOT AREA - DAY

Lights and flashes fill the room as Kitsu strikes captivating poses, earning cheers and applause from the crowd. Niki glances at Jennie, who seems completely absorbed in the shoot.

As the first shoot ends, Kitsu walks off the set, and Jennie approaches him again and starts to fix his hair.

JENNIE
That was amazing, Kitsu! Aww, your hair looks messy.

The crew starts to gossip and whisper about it.

CREW MEMBER 1
Are they dating?

CREW MEMBER 2
She’s the CEO’s daughter; it wouldn’t be surprising if they were together.

Kitsu gives Jennie a judging look as the whispers reach his ears. He grabs her hand to stop her while Jennie was trying to fix his necktie.

KITSU
We’re in public, Jennie, and I don’t want any misunderstandings. It would be better if we kept our distance and acted like normal friends.

Niki and Ashi look at them, shock evident in their eyes.

JENNIE
(Disheartened)
You never had a problem before when I touched you.

KITSU
We’re not kids anymore.

Kitsu walks to the makeup room to prepare for the next look leaving Jennie standing there. Niki approaches Jennie and purposely drops her coffee on her, causing Ashi's jaw to drop as he observes everything in silence.

NIKI
I’m so sorry! Oh my goodness!

Niki tries to wipe the coffee off Jennie's dress, but Jennie stops her.

JENNIE
Please stop!

She storms off the set, as Niki smirks in victory watching her back disappear. Ashi approaches her in confusion.

ASHI
What was that, Miss Niki?

NIKI
(Proudly)
That’s how you get rid of problems.

ASHI
(Impressed)
Well, I won't lie but she was starting to annoy me too.

They both chuckles as the team prepares for the next set of the photoshoot.