My Ex-Husband Is My New Boss by Angela Gamayon
๐๐ถ๐๐ฐ๐น๐ฎ๐ถ๐บ๐ฒ๐ฟ: ๐ง๐ต๐ถ๐ ๐๐๐ผ๐ฟ๐ ๐ถ๐ ๐๐๐ฏ๐บ๐ถ๐๐๐ฒ๐ฑ ๐๐ต๐ฟ๐ผ๐๐ด๐ต ๐๐ต๐ฒ ๐๐ผ๐ผ๐ด๐น๐ฒ ๐๐ผ๐ฟ๐บ ๐ณ๐ผ๐ฟ "๐๐๐ ๐ ๐ถ๐ป๐ถ ๐ฅ๐ฒ๐๐ถ๐ฒ๐." ๐ง๐ต๐ฒ ๐ฎ๐๐๐ต๐ผ๐ฟ ๐๐ผ๐น๐๐ป๐๐ฎ๐ฟ๐ถ๐น๐ ๐๐ต๐ฎ๐ฟ๐ฒ๐ฑ ๐๐ต๐ฒ๐ถ๐ฟ ๐๐ผ๐ฟ๐ธ ๐๐ถ๐๐ต ๐บ๐ฒ, ๐๐ฟ๐๐ฏ๐๐๐ฎ๐ฟ๐น๐ฎ, ๐๐ผ ๐ฟ๐ฒ๐ฐ๐ฒ๐ถ๐๐ฒ ๐ฐ๐ผ๐ป๐๐๐ฟ๐๐ฐ๐๐ถ๐๐ฒ ๐ณ๐ฒ๐ฒ๐ฑ๐ฏ๐ฎ๐ฐ๐ธ. ๐ ๐ ๐ฎ๐ถ๐บ ๐ถ๐ ๐ป๐ผ๐ ๐๐ผ ๐ฐ๐ฟ๐ถ๐๐ถ๐ฐ๐ถ๐๐ฒ ๐ผ๐ฟ ๐๐ป๐ฑ๐ฒ๐ฟ๐บ๐ถ๐ป๐ฒ ๐๐ต๐ฒ ๐ฎ๐๐๐ต๐ผ๐ฟ'๐ ๐๐ฟ๐ถ๐๐ถ๐ป๐ด ๐ฎ๐ฏ๐ถ๐น๐ถ๐๐ถ๐ฒ๐ ๐ฏ๐๐ ๐๐ผ ๐ฝ๐ฟ๐ผ๐๐ถ๐ฑ๐ฒ ๐ถ๐ป๐๐ถ๐ด๐ต๐๐ ๐๐ต๐ฎ๐ ๐ต๐ถ๐ด๐ต๐น๐ถ๐ด๐ต๐ ๐ฎ๐ฟ๐ฒ๐ฎ๐ ๐ณ๐ผ๐ฟ ๐ถ๐บ๐ฝ๐ฟ๐ผ๐๐ฒ๐บ๐ฒ๐ป๐. ๐ ๐ ๐ด๐ผ๐ฎ๐น ๐ถ๐ ๐๐ผ ๐๐๐ฝ๐ฝ๐ผ๐ฟ๐ ๐๐ต๐ฒ๐ถ๐ฟ ๐ด๐ฟ๐ผ๐๐๐ต ๐ฎ๐ ๐ฎ ๐๐ฟ๐ถ๐๐ฒ๐ฟ ๐ฎ๐ป๐ฑ ๐ต๐ฒ๐น๐ฝ ๐๐ต๐ฒ๐บ ๐ฟ๐ฒ๐ณ๐ถ๐ป๐ฒ ๐๐ต๐ฒ๐ถ๐ฟ ๐ฐ๐ฟ๐ฎ๐ณ๐.
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Angela Gamayon's My Ex-Husband Is My New Boss delivers an emotionally resonant story wrapped in themes of betrayal, forgiveness, and reconciliation. The story has 110 parts available starting from its engaging premise, where two exes are unexpectedly reunited as employer and employee, the plot provides numerous twists that push the characters into complex, sometimes heartbreaking, situations. I must admit, there were times when I would skip unnecessary dialogues and filler scenes, but there are times when Gamayon would capture the depth of a parent's love and loss through Alex's journey that allowed me to see the multi-layered approach that provided me with a raw portrayal of forgiveness as both an internal battle and a gift to those we love.
Gamayon's writing style is vivid, emphasizing Alex's reflections and emotional turmoil. While some dialogue feels authentic, pulling readers into the story's many intimate, painful moments. Some parts made me massage my temples and would resort to skipping scenes altogether before I can finally return to a scene that highlights the relationships and point of the scene or plot.
There are flashbacks and heart-rending monologues, but as the story unfolds, I witness a certain amount of sincerity in her writing that invited me to experience Alex's inner conflict and growth first hand. The tone of the story is melancholic but sheds light on hope as the charaters wrestles with their pasts and seek personal redemption. Gamayon flexes her writing when the characters portrays the impact of past choices and complex relationships, showing how these experiences ultimately contribute to Alex's strength.
Character development is a key strength here. As Alex evolves significantly, her character's transformation from a woman scarred by betrayal to one determined to be resilient for the sake of her children is a good form of character development. The contrast between Alex's vulnerability and her desire for inner peace gives her a relatable depth. Jake's remorse and Romano's regretful admissions also demonstrate well-rounded character arcs, emphasizing the theme that mistakes can be acknowledged and forgiven even if the scars remain. This nuanced portrayal allowed me to sympathize even when the characters are flawed.
While the story brings powerful messages about forgiveness and resilience, Gamayon could enhance clarity in the narrative's pacing. As I have mentioned, this story had 110 parts and yet there were a lot of room to remove unnecessary scenes, fillers, and dialogues in her plot.
At times, the storyline's transitions feel abrupt, which can momentarily pull me out of the emotional flow. Streamlining these moments with smoother shifts between scenes would further strengthen the narrative and emotional impact. However, these minor structural adjustments are outweighed by the story's heart and authenticity, which resonate throughout the story.
Overall, My Ex-Husband Is My New Boss is an okay read, offering both a bittersweet exploration of love and a reminder of the healing power of forgiveness.
With a rating of 2 out of 5 stars, this story is recommended for readers who appreciate an emotional rollercoaster with moving character arcs.
I highly suggest cutting off filler scenes and dialogues that do not move the story forward or the show the value of the characters' relationships to avoid the 110 parts and from burning out your readers.
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