And here the movies for the titles for Act III.

Act III (i) Twice In A Lifetime

Twice in a Lifetime is a 1985 film starring Gene Hackman and directed by Bud Yorkin. The plot involves a steelworker and married man going through a mid-life crisis when he finds himself attracted to another woman, played by Ann-Margret.

Paul McCartney composed the theme song to the film, heard over the end credits.

Harry Mackenzie works in a factory by day and comes home to a comfortable marriage at night, but it lacks excitement and passion. For his 50th birthday, his wife Kate blithely tells him to just go to his favourite corner tavern and have a good time.

An attractive barmaid, Audrey Minelli, captures his interest. Harry falls for her and, before long, shocks Kate by requesting a divorce. This horrifies their daughters, particularly Sunny, who is having a difficult marriage of her own, and Helen, who is about to be wed.

Kate goes through a difficult period of adjustment. She eventually lands a job in a beauty salon, changes her appearance and tries to adopt a new outlook on life. But by the time Harry brings Audrey to his daughter Helen's wedding, old wounds open up that continue to keep the family members apart.

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Act III (ii) Memory And Desire

Review and Synopsis by Derek Elle

Stunningly shot, but emotionally contrived to the point of exasperation, "Memory & Desire" is a beautiful, empty artefact. In this story of a tragic love affair between two Tokyo-ites who honeymoon in New Zealand, Kiwi feature debutante Niki Caro aims for a pseudo-Japanese finesse that's let down by a mannered script and mixed performances. Audiences attracted by "exoticism" for its own sake may go with the tale, but this consciously arty melodrama looks to be a fleeting memory in English-speaking territories.

The first half is told in flashback by Sayo (newcomer Yuri Kinugawa) after the body of her husband, Keiji (Eugene Nomura), is hauled from the sea on a windswept New Zealand beach. A plain-Jane from humble origins, she had been swept off her feet by the handsome, boyish-looking Keiji, and, despite the opposition of his snooty mother (Yoko Narahashi), the two joined a tour group and got married Down Under.

But as the honeymoon progressed, Keiji found himself unable to perform his marital duties and went into a deep funk. Finally, after a rapturous consummation, first in their hotel room and then in a cave on the beach, he mysteriously disappeared into the surf.

Picture's second half films Sayo's return to Tokyo, her rebellion against the polite animosity of Keiji's family and her return to New Zealand. Setting up a shrine in the cave where Keiji carved the word "love" on the wall, she slowly goes dotty.

Lenser Dion Beebe and composer Peter Scholes wrap the slim story in gorgeous visual and musical packaging. But their work finds decreasing echoes in the script and performances, and serves only to heighten the cliches from which the movie is built: from the other Japanese in the tour group (giggling teenage girls; a macho husband who suggests Keiji get a mistress) to the pristine settings in Tokyo, to the clean, tourist-board odyssey through New Zealand's beauty spots.

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Act III (iii) The Space Between Us

The space between us is a 2017 American romantic science fiction film directed by Peter Chelsom and written by Allan Loeb, from a story by Stewart Schill, Richard Barton Lewis and Loeb. The film stars Gary Oldman, Asa Butterfield, Britt Robertson, and Carla Gugino, and follows a teenage boy, born on Mars, who travels to Earth.

Principal photography began on September 14, 2015, in Albuquerque, New Mexico. The film was released on February 3, 2017 by STXfilms. It received negative reviews from critics and was a box office bomb, grossing $14.8 million against its $30 million budget.

In the near future, Nathaniel Shepard, CEO of Genesis, launches the first-ever mission to colonize Mars. During the journey, the lead astronaut, Sarah Elliot, discovers that she is pregnant. Shortly after landing, she dies from eclampsia while giving birth to the first human born on Mars. The father of the child is unknown. In a dilemma, Nathaniel eventually decides to keep the child on Mars as a secret, to avoid a PR disaster for his company and also keep the child safe.

Sixteen years later, Sarah's son, Gardner Elliot, has grown up into an inquisitive, highly intelligent boy who has only ever met 14 people in his very unconventional upbringing. One day, in order to find out more about his mother, he hacks into Centaur, a robot he helped build, to gain access to the ship's storage. There, he retrieves his mother's items. Among them are a wedding ring and a USB drive, from which he plays a video of her and a man in a beach house. Convinced that the man is his father, he becomes determined to find him.

Gardner logs on to an Internet chatroom, where he has struck up an online relationship with Tulsa, a street smart girl from Colorado who is constantly being shuffled from one foster home to the next. Under the guise of being confined to a penthouse due to osteogenesis imperfecta, they discuss their plans for the future. Gardner promises to come to see her someday. He then watches the German-language film, Wings of Desire, where an angel falls to Earth.

His mother figure, astronaut Kendra Wyndham, video calls Nathaniel and Genesis director Tom Chen to inform them of Gardner's extraordinary intelligence and to beg them to allow him to go to Earth. Nathaniel refuses, as Gardner would have to undergo a highly risky surgery to increase his bone density and then train to adapt to Earth's atmospheric pressure. Gardner undergoes the surgery anyway and after training, he, Kendra and some other astronauts board a space shuttle for Earth.

On the day of the space shuttle's arrival, Nathaniel discovers that Gardner is on board. He angrily confronts Tom, who hid this from him. Despite his anger, Nathaniel visits Gardner, who is being quarantined in NASA while undergoing medical tests to determine whether he is fit for life on Earth. After a visit from Kendra, Gardner manages to discover that he is not fit for life on Earth. Upset, he stages a daring escape and hitches a ride to find Tulsa. Upon seeing him, Tulsa hits him as she is upset at Gardner for 'ghosting' her for 7 months. However, she forgives him and he convinces her to help him find his father. They stop by her house to get supplies for the journey but are found by Nathaniel and Kendra. 

While trying to convince him to return to NASA, Gardner angrily confronts Kendra with her own admission of not wanting children and escapes with Tulsa on an old plane which her foster father was working on. The plane abruptly loses oil pressure while still in the sky. Tulsa manages to crash-land the plane into an old, abandoned barn, causing a fiery explosion. They escape safely to a diner where they determine the location of the shaman who married Gardner's parents, Shaman Neka.

Believing that Gardner has died, a grieving Nathaniel and Kendra let out their rage at one another. After discovering that no bodies were found in the wreckage, they receive some devastating news - Gardner's body contains dangerously high levels of troponin, meaning that he has an enlarged heart. His heart is unable to stand Earth's atmospheric pressure and so Gardner must be returned to Mars immediately if he is to survive. The search is resumed with renewed fervour and they discover CCTV footage of Gardner and Tulsa in a supermarket parking lot, where they have bought clothes and supplies for the journey. During the journey, Gardner tells Tulsa the truth - that he was born and raised on Mars. Unwilling to accept the truth, she forces him out of the car but forgives him once he promises never to lie to her again, although she still does not believe him.

At night, they camp out under the stars, where they make love. In the morning, they are discovered by a follower of Shaman Neka and are brought to him. He agrees to help them. Gardner's nose starts bleeding, a fact he conceals while Tulsa accesses the records to get the location of the beach house, which is in Summerland, California.

Before they begin their journey, they make a detour to Las Vegas. Gardner's nose starts to bleed again and he collapses and is taken to a hospital. After seeing the carbon tubes in his bones on the results of an X-ray at the hospital, Tulsa tells Gardner she now believes he was born on Mars but plans to leave him in the hospital, before foster care can come, as he is too sick to continue their journey. Gardner reveals that he knows he won't last on Earth anymore and all he wants is to meet his father before he dies. Tulsa gives in and helps him escape. They steal a car and drive to the beach house. There, they meet the man from the video, who reveals that he is not Sarah Elliot's husband, but her own brother. However, he thinks that the two are lying to him. Gardner runs down to the sea, where he tells Tulsa that this is where he wants to die. He collapses. Tulsa tries frantically to drag him to the shore, but he is too heavy for her. Nathaniel and Kendra arrive just in time to save him. After Nathaniel performs CPR on him, Gardner asks him about his mother Sarah and reveals that he knows that Nathaniel is his real father. Nathaniel, Kendra and Tulsa rush Gardner to a Dream Chaser. They plan to launch into the stratosphere to stabilize him. When that proves to not be enough, a desperate Nathaniel takes control and launches into outer space. Free of Earth's gravity, Gardner is revived.

Soon, Gardner boards a space shuttle to Mars. Tulsa and Gardner have an emotional parting. Kendra, who is staying on Earth because she is retiring from NASA, adopts Tulsa. Determined to join Gardner on Mars, Tulsa joins Kendra's training program. Back on Mars, with his father Nathaniel, Gardner is glad to be home.

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Act III (iv) The Way We Were

The way we were is a 1973 American romantic drama film starring Barbra Streisand and Robert Redford and directed by Sydney Pollack. The screenplay by Arthur Laurents was based on his college days at Cornell University and his experiences with the House Un-American Activities Committee.

A box office success, the film was nominated for several awards and won the Academy Award for Best Original Dramatic Score and Best Original Song for the theme song, "The Way We Were," It ranked at number 6 on AFI's 100 Years...100 Passions survey of the top 100 greatest love stories in American cinema. The Way We Were is considered one of the greatest romantic movies ever.

Told partly in flashback, it is the story of Katie Morosky (Barbra Streisand) and Hubbell Gardiner (Robert Redford). Their differences are immense: she is a stridently vocal Marxist Jew with strong anti-war opinions, and he is a carefree WASP with no particular political bent. While attending the same college, she is drawn to him because of his boyish good looks and his natural writing skill, which she finds captivating, although he does not work very hard at it. He is intrigued by her conviction and her determination to persuade others to take up social causes. Their attraction is evident, but neither of them acts upon it, and they lose touch after graduation.

The two meet again towards the end of World War II while Katie is working at a radio station, and Hubbell, having served as a naval officer in the South Pacific, is trying to return to civilian life. They fall in love despite the differences in their background and temperament. Soon, however, Katie is incensed by the cynical jokes that Hubbell's friends make at the death of President Franklin D. Roosevelt and is unable to understand his indifference towards their insensitivity and shallow dismissal of political engagement. At the same time, his serenity is disturbed by her lack of social graces and her polarizing postures. Hubbell breaks it off with Katie, but soon agrees to work things out, at least for a time.

When Hubbell seeks a job as a Hollywood screenwriter, Katie believes he is wasting his talent and encourages him to pursue writing as a serious challenge instead. Despite her growing frustration, they move to California, where, without much effort, he becomes a successful screenwriter, and the couple enjoys an affluent lifestyle. As the Hollywood blacklist grows and McCarthyism begins to encroach on their lives, Katie's political activism resurfaces, jeopardizing Hubbell's position and reputation.

Alienated by Katie's persistent abrasiveness, and even though she is pregnant, Hubbell has a liaison with Carol Ann, his college girlfriend and the divorcee of J.J., his best friend. After the birth, however, Katie and Hubbell decide to part, as she finally understands he is not the man she idealized when falling in love with, and he will always choose the easiest way out, whether it is cheating in his marriage or writing predictable stories for sitcoms. Hubbell, on the other hand, is exhausted, unable to live on the pedestal Katie erected for him and face her disappointment in his decision to compromise his potential.

Katie and Hubbell meet by chance some years after their divorce, in front of the Plaza Hotel in New York City. Hubbell is with some stylish beauty, and apparently content is now writing for a popular sitcom as one of a group of nameless writers. Katie, now remarried, invites Hubbell to come for a drink with his lady friend, but he confesses that he cannot. He does inquire how their daughter Rachel is doing, just to ascertain if Katie's new husband is a good father, but shows no intention to meet his daughter.

Katie has remained faithful to who she is: flyers in hand, she is agitating now for "Ban the bomb", the new political cause. Their past is behind them, and all the two share now (besides their daughter, Rachel) is a missing sensation and the memory of the way they were.

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Act III (v) Somewhere In Time

Somewhere in Time is a 1980 American romantic science-fiction drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer.

Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel. Through self-hypnosis, he travels back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). However, this relationship may not last as long as the two of them think; Elise's manager, William Fawcett Robinson (portrayed by Plummer), fears that romance will derail her career and resolves to stop him.

On May 19, 1972, college theatre student Richard Collier (Christopher Reeve) is celebrating the debut of a play he has written. During the celebration, he is approached by an elderly woman (Susan French) who places a pocket watch in his hand and pleads, "Come back to me." Richard does not recognize the woman, who returns to her own residence and dies soon afterward.

Eight years later, Richard is a successful playwright living in Chicago, but has recently broken up with his girlfriend and is struggling with writer's block. Feeling stressed from writing his play, he decides to take a break and travels out of state to the Grand Hotel. While looking at a display in the hotel's museum, Richard becomes enthralled by a photograph of a beautiful woman. With the assistance of Arthur Biehl (Bill Erwin), an elderly bellhop who has been at the hotel since 1910, Richard discovers that the woman is Elise McKenna (Jane Seymour), a famous early 20th century stage actress. Upon digging deeper, Richard learns that she was the aged woman who gave him the pocket watch eight years earlier. Traveling to the home of Laura Roberts (Teresa Wright), McKenna's former housekeeper and companion, he discovers a music box Elise had made, in the shape of the Grand Hotel, that plays his favorite melody. He also discovers among her effects a book on time travel written by his old college professor, Dr. Gerard Finney (George Voskovec). Learning that McKenna read the book several times, Richard becomes obsessed with the idea of traveling back to 1912 and meeting Elise McKenna, with whom he has fallen in love.

Visiting Dr. Finney, Richard learns that the professor believes that he very briefly time traveled once to 1571 through the power of self-suggestion. To accomplish this feat of self-hypnosis, Finney tells Richard, one must remove from sight all things that are related to the current time and trick the mind into believing that one is in the past. He also warns that such a process would leave one very weak, perhaps dangerously so. Richard buys an early 20th-century suit and some vintage money; he cuts his hair in a time-appropriate style. Dressing in the suit, he removes all modern objects from his hotel room and attempts to will himself into the year 1912 using tape-recorded suggestions, only to fail for lack of real conviction. Later, while searching the hotel's attic, Richard finds an old guest book from 1912 with his signature in it and realizes that he will eventually succeed.

Richard again hypnotizes himself, this time with the tape recorder hidden under the bed. He allows his absolute faith in his eventual success to become the trigger for the journey back through time. He drifts off to sleep and awakens on June 27, 1912 to the sound of whinnying horses. Richard looks all over the hotel for Elise, even meeting Arthur Biehl as a little boy, but he has no luck finding her. Finally, he stumbles upon Elise walking by a tree near the lake. She seems to swoon slightly at the sight of him, but suddenly asks him "Is it you?" 

McKenna's manager, William Fawcett Robinson (Christopher Plummer), abruptly intervenes and sends Richard away. Richard stubbornly continues to pursue Elise until she agrees to accompany him on a stroll through the surrounding idyllic landscape. It is during their boat ride that Richard hums the theme from the 18th variation of opus 43, and Elise says that it's lovely but she never heard it before. (It was written 22 years into the future. In 1980 Richard had learned that it was her favourite piece of music and he hears her recording of it.) Richard ultimately asks why Elise wondered aloud "Is it you". She replies that Robinson somehow knows that she will meet a man one day who will change her life forever. Richard shows Elise the same pocket watch, which she will eventually give him in 1972, but he does not reveal its origin, merely offering that it was a gift.

Richard accepts Elise's invitation to her play, where she recites an impromptu monologue dedicated to him. During intermission, he finds her posing formally for a photograph. Upon spotting Richard, Elise breaks into a radiant smile, the camera capturing the image which Richard first saw 68 years later. Afterwards, Richard receives an urgent message from Robinson requesting a meeting. Robinson tries to get Richard to leave Elise, saying it is for her own good. When Richard professes his love for her, Robinson has him tied up and locked in the stables so he will miss the departure of the theatre company to Denver, and thus Elise, that same night. Later, Robinson tells Elise that Richard has left her and is not the one, but she does not believe him. She says that she loves Richard.

Richard wakes the next morning and manages to free himself. He runs to Elise's room, 117, and finds that her party has left. Despondent, he goes onto the hotel's porch. Suddenly, he hears Elise calling his name and sees her running towards him. They return to his room, 416, and make love. The next morning they agree to marry. Elise tells him that the first thing she will do for him is to buy him a new suit, as the one he has been wearing is about 15 years out of date. Richard begins to show her how practical the suit is because of its many pockets. He is alarmed when he reaches into one and finds a Lincoln penny with a mint date of 1979. Seeing an item from his real present wrenches him out of his hypnotically induced time trip, and Richard feels himself rushing forward in time. Elise screams his name in horror as he is pulled inexorably out of 1912.

Richard awakens back in 1980, in the same room, 416, where he and Elise passionately made love in 1912. He is drenched in sweat and very weak, apparently exhausted from his trip through time and back. He scrambles desperately back to his own room, 313, which he had previously cleared of 1980 furniture and objects, and tries to hypnotize himself again, without success. Heartbroken, after wandering the hotel property and sitting interminably at the places where he spent time with Elise, he eventually retires to his room. He remains there unmoving for days until discovered by Arthur and the hotel manager, who send for a doctor and paramedics. Richard takes a final breath, suddenly smiles, and sees himself drifting above his body. Having presumably died of a broken heart, he is drawn to a light shining through the nearby window, where he is reunited with Elise, who had died eight years prior on the very night she gave him the pocket watch.

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Act III (vi) Always In My Heart

Always in My Heart is a 1942 drama film directed by Jo Graham, starring Kay Francis and Walter Huston. The song "Siempre en Mi Corazón" ("Always in My Heart"), by Ernesto Lecuona (music and Spanish lyrics) and Kim Gannon (English lyrics) was nominated for an Oscar for Best Original Song.

MacKenzie Scott (Walter Huston), a brilliant musician, is falsely convicted of murder and sentenced to life. While Scott languishes in prison, his long-suffering ex-wife Marjorie (Kay Francis) raises their two children to adulthood. Out of respect for Scott, whom she still loves, Marjorie never reveals to the kids that their father is in jail, insisting instead that Scott has long since died.

Synopsis by Hal Erickson

A real four-hankypicture, was loosely adapted from the stage play by and Irving White. is atower of strength as MacKenzie Scott, a brilliant musician falsely convicted ofmurder and sentenced to Life. While Scott languishes in prison, hislong-suffering ex-wife Marjorie () raises their two children to adulthood. Outof respect for Scott, whom she still loves, Marjorie never reveals to the kidsthat their father is in jail, insisting instead that Scott has long since died.Enter Philip Ames, who falls in love with Marjorie and lavishes expensive giftson the children. It must need be that Scott is proven innocent and pardoned,whereupon he journeys home to visit his grown daughter Victoria, now apromising singer. At first hesitant to reveal his identity, Scott is finallyurged to do so by Marjorie, who has never really given up hope that her familywill one day be reunited. In the midst of all these soap-operaish intrigues,some welcome comedy relief is provided

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Act III(vii) Love Happens

Love happens is a 2009 American romantic drama film written by Mike Thompson and Brandon Camp, and directed by Brandon Camp. Starring Aaron Eckhart and Jennifer Aniston. It was released on September 18, 2009.

Burke Ryan (Aaron Eckhart), is a successful Ph.D. and author of a self-help book that gives advice about dealing with the loss of a loved one. He writes the book after his wife dies in a car accident as a way to deal with grief. While giving a workshop in Seattle, where his wife was from, he meets Eloise (Jennifer Aniston), a creative floral designer who owns her own flower shop. She spurns his initial advance as her past relationships with men have not gone well, but after a heated exchange in the men's restroom, she meets him for dinner. Even though the dinner is awkward, they begin spending time together although she insists to her mother and her employee Marty (Judy Greer) that they are not "dating". It seems, however, that Burke has not been following his own advice, and in fact has not been dealing with the loss of his wife. In the end, he confesses to an audience that he was driving the car, and not his wife, as he previously maintained. Due to this, he blames himself for her death. Eloise, along with his wife's father (Martin Sheen), helps Burke move past his wife's death. Burke goes to Eloise, telling her that she had spent the last few days getting to know the part of him that was not available and wondered was she interested in getting to know the part of him that was available.

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Act III(viii) Return To Me

Return to Me is a 2000 American romantic comedy-drama film directed by Bonnie Hunt and starring David Duchovny and Minnie Driver. It was filmed in Chicago and was released on April 7, 2000 by Metro–Goldwyn–Mayer. It was Carroll O'Connor's final film before his death the following year.

Bob and Elizabeth Rueland (David Duchovny and Joely Richardson) both work — Bob as an architect, Elizabeth as a zoologist — at Chicago's Lincoln Park Zoo. One night after a fundraiser for a new primate house, Elizabeth is killed in a car accident, and her heart is transplanted to Grace Briggs (Minnie Driver), who has suffered from heart disease since the age of 14 and is near death. The surgery is successful and Grace, an artist, is able to live a normal life for the first time. She plans to make her first airplane trip to Italy to paint, and her best friend Megan Dayton (Bonnie Hunt) encourages her to begin dating, although Grace is self-conscious about the long surgical scar on her chest. She also has written a letter thanking the family of their lost loved one for the heart she received. It takes her over a year to finally find the courage to mail the letter.

A year later Bob, who has been working on the primate house that Elizabeth raised money for, remains depressed. He recognizes that he must resume his life as he becomes frustrated seeing that his dog hasn't gotten over the loss either. His friend, Charlie (David Alan Grier), organizes a blind date for him at a restaurant. The date goes very badly, but he finds that he is interested in the waitress — Grace, who is also the granddaughter of the restaurant's owner, Marty O'Reilly (Carroll O'Connor).

Although they are both unaware of the connection they have through Elizabeth's heart, Bob and Grace begin to date. As they grow closer together, Grace is reluctant to tell Bob about her medical history. After several months of dating, Grace finally decides to tell Bob about her transplant. However, before she gets the chance, she finds in his house the letter that she had sent several months earlier. Horrified by the discovery, Grace flees and tells Megan what has happened. Megan's husband (Jim Belushi) becomes infuriated as he has misunderstood Grace's panic and thinks Bob must be married. Megan then explains the situation to him in six monosyllables: "Grace has Bob's dead wife's heart!"

When Grace meets Bob again, she tells him the truth. Stunned and not knowing what to say, he leaves. Against Megan's advice to not run away from the situation, Grace goes to Europe alone. Back at home and with Marty's help Bob realizes that although he will always miss Elizabeth, he "aches" for Grace. He decides to go after her, and the two reunite in Italy. They return to Chicago for the dedication of the new primate house. The film ends at the wedding of friends Wally and Sophie. Megan is visibly pregnant again. Charlie appears to be married and dancing with his wife and their toddler. Grace and Bob are happily dancing

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Act III(ix) Heart And Souls

Heart and Souls is a 1993 American fantasy comedy-drama film directedby Ron Underwood. The film stars Robert Downey Jr. as Thomas Reilly, abusinessman recruited by the souls of four deceased people, his guardian angelsfrom childhood, to help them rectify their unfinished lives, as he is the onlyone who can communicate with them

In San Francisco, in 1959, four people embark on the same bus. A single mother named Penny Washington leaves her three children at home to work in her night shift as a telephone operator. A singer named Harrison Winslow has backed out of his audition due to stage fright. A waitress named Julia regrets turning down her boyfriend John's marriage proposal and leaves her job to seek him out. A small-time thief named Milo Peck fails to retrieve a collection of vintage stamps that he had out of a young boy. The bus driver, Hal, has a serious accident, killing himself and everyone on board.

Meanwhile, Frank Reilly is driving his pregnant wife Eva to the hospital. Frank successfully swerves to escape the bus, just before it drives off an overpass, but Eva delivers their baby in the car. Hal ascends into the next life, but the souls of the four passengers become the guardian angels of the boy, Thomas Reilly, and can be seen only by him. Seven years later, the boy's parents and teachers begin to worry about his obsession with these "imaginary friends" and discuss submitting him to psychological exams. After realizing their presence is harming Thomas, the quartet decides to become invisible also to him. Unknown to Thomas, they remain by his side.

Twenty-seven years later, in 1993, Hal returns with his bus and prepares to finally take them to the next life. The quartet learns from Hal that they've been with Thomas all these years because he serves as their corporeal form; they were supposed to ask him for help in resolving the problems they left behind. If he ever refused, one of them should have inhabited his body and made him cooperate. After convincing Hal to buy some more time for them to rectify their unfinished lives, they reappear to Thomas, who is now a ruthless businessman and indecisive in his relationship with girlfriend Anne.

Thomas reluctantly agrees and, through a series of hilarious mishaps, the lost souls are freed: Milo by returning the stolen stamps, Harrison by facing his fears and singing to a live audience, Penny by discovering the fates of her children and Julia by encouraging Thomas to repair his relationship with Anne, as she was never able to do the same with John. In the end, Thomas becomes a better man and he dances with Anne as four stars twinkle in the night sky, symbolizing that Penny, Julia, Harrison, and Milo are finally at peace.

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Others

'Everything that happens once' – (Act III - (iii) )

"I'm an old, superstitious Arab, and I believe in our proverbs. There's one that says, 'Everything that happens once can never happen again. But anything that happens twice will surely happen a third time."

― Paulo Coelho, The Alchemist

___________

The world's greatest lie....  (Act III (vi) )Modified from-

"Everyone believes the world's greatest lie..." says the mysterious old man.
"What is the world's greatest lie?" the little boy asks.
The old man replies, "It's this: that at a certain point in our lives, we lose control of what's happening to us, and our lives become controlled by fate. That's the world's greatest lie."

― Paulo Coelho, The Alchemist

___________

Every woman.... (Act III (vi) )Modified from-

In The Wedding Date, Dermot Mulroney's character tells Debra Messing, "Every woman has the exact love life she wants." And some experts claim this quote is spot-on. An interesting article analysing the same is given in the external link.