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Acknowledgements (Act II)

Continuing with the list of movies that I used to title my chapters; the synopsis is mostly sourced from Wikipedia.

Act II (i) Just Like Heaven

Just Like Heaven is an American romantic comedy fantasy film released on September 16, 2005, in the United States and Canada. Set in San Francisco, it was directed by Mark Waters, starring Reese Witherspoon, Mark Ruffalo, Ivana Miličević and Jon Heder. It is based on the novel If Only It Were True (Et si c'était vrai...) by Marc Levy.

Elizabeth Masterson (Witherspoon), a young emergency medicine physician whose work is her whole life, is in a serious car accident while on her way to a blind date. Three months later, David Abbott (Ruffalo), a landscape architect recovering from the sudden death of his wife, moves into the apartment that had been Elizabeth's, after 'discovering' it in what seems to be a 'fateful' happenstance .

Elizabeth's spirit begins to appear to David in the apartment with ghostly properties and abilities that make it clear that something is not right. She can suddenly appear and disappear, walk or move through walls and objects, and once takes over his actions. When they meet, they are both surprised, as Elizabeth is still unaware of her recent history and refuses to think she is dead. David tries to have her spirit exorcised from the apartment, but to no avail. Since only David can see and hear her, others think that he is hallucinating and talking to himself.

David and Elizabeth's spirit begin to 'bond', as much as that is possible, and he takes her out-of-town to a beautiful landscaped garden he designed. Elizabeth tells him she senses she has 'been there' before, and, in fact, the garden was something she was dreaming of in the opening scenes of the film, where she was awakened by a colleague from cat-napping after working a 26-hour shift in the hospital.

Together, assisted by a psychic bookstore clerk, Darryl (Heder), Elizabeth and David find out who she is, what happened to her, and why they are connected. She is not dead, but in a coma, her body being kept on life support at the hospital where she used to work. When David discovers that in accordance with her living will, she will soon be allowed to die, he tries to prevent this by telling Elizabeth's sister, Abby, that he can see her and what the situation involves. It is revealed that one of Elizabeth's young nieces can also sense her presence.

Abby thinks David is mentally disturbed and drives him out of her house. Desperate, David decides to prevent Elizabeth's death by stealing her body from the hospital. He asks J.J, his friend, to help him and it is discovered that J.J is actually the former boyfriend of Abby, and he had set up a blind date for David with Elizabeth, the night of the accident. The reason David can see Elizabeth is that they were meant to meet. He then admits to J.J and Elizabeth that he loves her and that is the reason he doesn't want her to die. He has 'gotten past' the death of his wife. While stealing Elizabeth's body, they are quickly discovered in the hospital. The security guards find them, pulling J.J away from Elizabeth's body, but when he is grabbed, her breathing tube is removed. David gets away from the guards a bit longer, but Elizabeth is now dying. David frantically kisses the dying Elizabeth, breathing some air into her lungs, while her spirit begins to fade away. Then, amazingly, her heartbeat returns and she miraculously awakens from the coma. However, the recovered Elizabeth doesn't remember anything that happened during the coma or any of the events with David, who leaves the hospital in sadness.

Sometime later, Elizabeth goes back to her apartment. She is drawn up to the roof of the building, which has been transformed into a beautiful landscaped garden. She finds David there, who has gotten in with a spare key Elizabeth's spirit had shown him. Just as he is about to leave, she asks for her key back. When their hands touch, her memory of the events during her coma are restored, and they kiss.

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Act II (ii) All That Heaven Allows

All That Heaven Allows is a 1955 romance feature film starring Jane Wyman and Rock Hudson in a tale about a well-to-do widow and a younger landscape designer falling in love. The screenplay was written by Peg Fenwick based upon a story by Edna L. Lee and Harry Lee. The film was directed by Douglas Sirk and produced by Ross Hunter.

In 1995, the film was selected for preservation in the United States National Film Registry. 

Cary Scott (Jane Wyman) is an affluent widow in suburban New England, whose social life involves her country club peers, college-age children, and a few men vying for her affection.

She becomes interested in Ron Kirby (Rock Hudson), her gardener, an intelligent, down-to-earth and respectful yet passionate younger man. Ron is content with his simple life outside the materialistic society and the two fall in love. Ron introduces her to people who seem to have no need for wealth and status and she responds positively. Cary accepts his proposal of marriage, but becomes distressed when her friends and college-age children are angry. They look down upon Ron and his friends and reject their mother for this socially unacceptable arrangement. Eventually, bowing to this pressure, she breaks off the engagement.

Cary and Ron continue their separate lives, both with many regrets, but Cary's children soon announce they are moving out. Having destroyed her chance at happiness, her son buys her a television set to keep her company. Before doing so, however, her daughter apologizes to her mother for her prior impulsive and foolish reaction to Ron, saying that there is still time if she really does love Ron. Cary's doctor points out that Cary is now lonelier than she was before meeting Ron.

When Ron has a life-threatening accident, Cary realizes how wrong she had been to allow other people's opinions and superficial social conventions to dictate her life choices and decides to accept the life Ron offers her. As he recovers, Cary is by his bedside telling him that she has come home.

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Act II (iii) Careful What You Wish For

Careful what you wish for is a 2015 American erotic thriller film directed by Elizabeth Allen Rosenbaum, and starring Nick Jonas, Isabel Lucas, Graham Rogers, and Dermot Mulroney. The film was released on June 10, 2016, by Starz Digital. Its plot is heavily inspired by the 1981 movie Body Heat.

Doug Martin (Nick Jonas) is a young adult spending the summer with his parents at their lake house. When rich investment banker Elliot Harper (Dermot Mulroney) moves in next door, Doug finds himself immediately drawn to Elliot's young wife, Lena Harper (Isabel Lucas). Elliot hires Doug to work on his sailboat, and this gives Doug an excuse to interact with Lena, who is often alone due to Elliot travelling for business. Eventually, Lena and Doug begin an affair, starting with Doug losing his virginity to Lena. Lena gets them pre-paid cellphones to communicate with and constantly warns Doug about Elliot's possessive and jealous nature. Lena also shows signs of physical abuse, which she says are from Elliot.

One night Lena calls Doug over to house where he finds Elliot dead on the floor. Lena claims he attacked her and she accidentally killed him when she fought back. After some major trepidation on Doug's part, Lena convinces him to help her cover up her part in Elliot's death. Soon after an insurance investigator named Angie Alvarez (Kandyse McClure) shows up to investigate Elliot's death, due to the large settlement of 10 million dollars Lena is now set to receive from his life insurance. Suspicion quickly falls on Doug, and he grows nervous from the increased attention on him by both Angie and the town Sheriff (Paul Sorvino). Eventually he realizes that Lena has been manipulating him this whole time, intending to frame him for Elliot's murder; she claims that instead of a consensual affair Doug had been stalking her and raped her, and then killed Elliot in a jealous rage. Doug's attempts to prove his innocence are thwarted at every turn, presumably by Lena. For example, a gardener of the Harper's who had seen Doug and Lena together turns up murdered before the police can talk to him.

With the police ready to arrest him and with Lena having received the insurance money, Doug follows her to a hotel she is at with Angie, intending to retrieve one of the pre-paid cellphones he and Lena used from her person for evidence. It is there that Doug realizes that Angie is actually Lena's lover and has been her accomplice since the beginning. At first, it seems that Lena will leave Doug to take the rap, however in a last gesture of love she decides to leave Doug the cell phone, which contains the exonerating evidence he needs. Angie and Lena flee the country on a private plane.

In the closing voice-over, Doug explains how he was eventually sent to prison, but on reduced charges for a short period of time. Lena and Angie are still on the run. He contemplates if he would do it all over again.

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Act II (iv) P. S. I Love You

P.S. I Love You is a 2007 American drama film directed by Richard LaGravenese. The screenplay by LaGravenese and Steven Rogers is based on the 2004 novel of the same name by Cecelia Ahern. It stars Hilary Swank, Gerard Butler, Lisa Kudrow, Gina Gershon, James Marsters, Harry Connick, Jr. and Jeffrey Dean Morgan. It was distributed by Warner Bros. Pictures and Momentum Pictures.

Holly and Gerry are a married couple who live on the Lower East Side of Manhattan. They are deeply in love, but they fight occasionally. By winter that year, Gerry suddenly dies of a brain tumour and Holly realizes how much he means to her as well as how insignificant their arguments were.

Deeply distraught, Holly withdraws from her family and friends out of grief until they descend upon her on her 30th birthday. They are determined to prod the young widow to face the future and explore what her life choices should be. As they rally around Holly and help organize her apartment, a cake is delivered, and with it is a message from Gerry. It proves to be the first of several meaningful messages — all ending with "P.S. I Love You" — which he had arranged to have delivered to her after his death. As the seasons pass, each new message fills her with encouragement and sends her on a new adventure. Holly's mother believes that Gerry's letters are keeping Holly tied to the past. But they are, in fact, pushing her into the future. With Gerry's words as her guide, Holly slowly embarks on a journey of rediscovery.

Gerry arranged for Holly and her friends Denise and Sharon to travel to his homeland of Ireland. They arrive at their destination, a house in the beautiful Irish countryside where they find letters from Gerry for Sharon and Denise, one asking Denise to take Holly to his favourite pub. While there, they meet William, a singer who strongly reminds Holly of her deceased husband. He asks her to stay to see him after his last song which he dedicates to her. Upon hearing it, she is overcome with emotion and walks out because it was the song Gerry sang to her shortly after they first met. During the vacation, while on a fishing trip they lose the boat's oars leaving the three women stranded in the middle of a lake. During their wait for help, Sharon announces that she is pregnant and Denise reveals she is getting married. This news causes Holly to relapse emotionally and again withdraw into herself. They are eventually rescued by William, whom Sharon and Denise invite to stay the night because of the pouring rain. Unable to deny their feelings for each other, they kiss, and William and Holly become intimate. They begin a conversation about her deceased husband and Holly asks William to drive her to visit her in-laws. Upon Holly revealing their names, William realizes she is the widow of his childhood best friend. Revealing this to Holly causes her to panic, but William calms her down and starts to tell stories about his and Gerry's childhood. The next day, Holly visits Gerry's parents and while there, she also receives a letter from Gerry reminding her of their first meeting.

Arriving home, Holly again withdraws from family and friends. As she continues to become more and more lost, she is inspired by Gerry after finding one of his suspender clips next to one of her shoes and realizes she has a flair for designing women's shoes and enrols in a class that teaches how to actually make the shoes she has designed. A newfound self-confidence allows her to emerge from her solitude and embrace her friends' happiness. While on a walk with her mother, she learns that her mother was the one whom Gerry asked to deliver his letters after his death and receives the last letter. As the film ends with Holly taking her mother on a trip to Ireland, we see that Holly has opened herself up to the journey beginning with the next chapter of her life, and wherever it takes her she has the hope of falling in love again.

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Act II (v) Remember Me

Remember Me is a 2010 American romantic coming-of-age drama film directed by Allen Coulter, and screenplay by Will Fetters. It stars Robert Pattinson, Emilie de Ravin, Chris Cooper, Lena Olin and Pierce Brosnan. It received negative reviews from critics, mainly due to the ending.

In New York City in 1991, Alicia "Ally" Craig is waiting with her mother for the subway, when they are mugged by two young men, who shoot her mother after boarding the train.

Ten years later, Ally is a student at New York University, and lives with her father, Neil, a New York Police Department detective. Tyler Hawkins audits classes at NYU, and works at the university bookstore. He has a strained relationship with his businessman father, Charles, because his older brother, Michael, committed suicide years before. Charles ignores his youngest child, Caroline, of whom Tyler is protective.

One night, with his roommate, Aidan, Tyler gets involved in somebody else's fight, and is arrested by Neil. Aidan calls Charles to bail Tyler out, but he does not stick around to have a conversation with his father. Aidan sees Neil dropping Ally off, realizing that she is his daughter. He approaches Tyler with the idea to get back at the detective by persuading him to sleep with and dump Ally. Tyler and Ally go to dinner, kiss at the end of the night, and continue seeing one another. While at Tyler's apartment, Aidan convinces the pair to go to a party, after which Ally is very drunk, and ends up throwing up. She passes out before Tyler can get her to tell him Neil's phone number. The following day, she and her father argue. Neil slaps her, and Ally flees to Tyler's apartment.

Caroline, a budding artist, is featured in an art show, and Tyler asks his father to attend the show. When he fails to show up, Tyler confronts him in a board room filled with people, which causes his father's frustration to boil over. Neil's partner recognizes Tyler with Ally on a train, so Neil breaks into Tyler's apartment and confronts him. Tyler provokes Neil by confessing to Aidan's plan and his initial reason for meeting Ally, which forces Tyler to confess to Ally. She leaves and returns home. Aidan visits Ally at her father's home to explain that he is to blame, and Tyler is in love with her.

Caroline is bullied by classmates at a birthday party where they cut her hair off. Ally and Aidan visit Tyler's mother's apartment, where Caroline is sobbing. Tyler accompanies his sister back to school, and when her classmates tease her for her new haircut, Tyler turns violent and ends up in jail. Charles is impressed that Tyler stood up for his sister, and they connect. Charles asks Tyler to meet with the lawyers at his office.

Tyler spends the night with Ally, and they reveal they love each other after making love. Charles takes Caroline to school. He calls Tyler to let him know this, and explains that he will be late. Tyler is happy that his father is spending time with Caroline. He tells Charles that he will wait in his office. He looks on Charles's computer, featuring a slideshow of pictures with Tyler, Michael, and Caroline when they were younger.

After Charles drops Caroline off at school, she sits in her classroom, where the teacher writes the date on the blackboard as September 11, 2001. Tyler looks out the window of his father's office, which is revealed to be located on the 101st floor of the North Tower of the World Trade Center. Once the terrorist attacks begin, the rest of the family, Aidan and Ally, look at the towers before the camera pans over the rubble, showing Tyler's diary. In a voice-over of his diary, Tyler reveals to Michael that he loves him, and he forgives him for killing himself. Tyler is buried next to Michael.

Sometime later, Caroline and Charles seem to have a healthy father-daughter relationship. Aidan, who has since gotten a tattoo of Tyler's name on his arm, is working hard in school, and Ally gets on the subway at the same spot where her mother was killed.

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Act II (vi) Out of Sight

Out of Sight is a 1998 American crime comedy film directed by Steven Soderbergh and written by Scott Frank, adapted from Elmore Leonard's novel of the same name. The first of several collaborations between Soderbergh and actor George Clooney, it was released on June 26, 1998.

The film stars Clooney and Jennifer Lopez and co-stars Ving Rhames, Don Cheadle, Dennis Farina, Nancy Allen, Steve Zahn, Catherine Keener, and Albert Brooks. There are also special appearances by Michael Keaton, briefly reprising his role as Ray Nicolette in Quentin Tarantino's Jackie Brown the previous year, and Samuel L. Jackson.

The film received Academy Award nominations for Adapted Screenplay and Editing and won the Edgar Award for best screenplay and the National Society of Film Critics awards for best film, screenplay, and director. The film led to a spinoff TV series in 2003, Karen Sisco.

A career bank robber, Jack Foley, and a U.S. Marshal, Karen Sisco, are forced to share a car trunk during Foley's escape from a Florida prison. After he completes his getaway, Foley is chased by Sisco while he and his friends—right-hand man Buddy and unreliable associate Glenn—work their way north to Bloomfield Hills, a wealthy northern suburb of Detroit. There they plan to pay a visit to shady businessman Ripley, who foolishly bragged to them in prison years before about a cache of uncut diamonds hidden in his home.

A vicious criminal named Maurice Miller, who also spent time in jail with Jack and Ripley, is planning on hitting up Ripley's mansion with his own crew, including Kenneth and White Boy Bob. A romantic interlude between Foley and Sisco takes place in a Detroit hotel, but the question of whether she is really pursuing Foley to arrest him or for love ends in a showdown during the robbery at Ripley's home and adds to "the fun" Foley claims they are having.

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Act II (vii) Something's Gotta Give

Something's Gotta Give is a 2003 American romantic comedy film written, produced and directed by Nancy Meyers. It stars Jack Nicholson and Diane Keaton as a successful 60-something and 50-something, who find love for each other in later life, despite being complete opposites. Keanu Reeves and Amanda Peet co-star, with Frances McDormand, Paul Michael Glaser, Jon Favreau, and KaDee Strickland playing key supporting roles.

The film received generally favourable reviews from critics, and was a box office hit following its North American release, eventually grossing over $266 million mostly from its international run. For her performance Keaton earned a Golden Globe, a Satellite Award, as well as an Academy Award nomination and a SAG Award nomination for Best Actress, among other recognitions. Nicholson also received a Golden Globe nomination for Best Actor in a Motion Picture - Musical or Comedy. This was Nicholson and Keaton's second film together since 1981's Reds.

Harry Sanborn is a wealthy New York music mogul who has had a 40-year habit of dating women under 30, including his latest conquest, Marin Klein. The two drive to her mother's Hamptons beach house expecting to be alone, but are surprised by Marin's mother, successful playwright Erica Barry, who is there with her sister Zoe.

After an awkward dinner, the night turns disastrous when Harry has a heart attack and is rushed to a hospital. The doctor, Julian Mercer, tells Harry to stay nearby for a few days, so Harry ends up staying with Erica. Their personalities clash and create awkward living arrangements—until they get to know each other. The fact that Harry is dating her daughter and that Julian has fallen for Erica, leave the two struggling to deal with relationships.

Marin and Harry agree to break up. He and Erica spend more time together and eventually consummate their relationship. Harry discovers that his improving health means that he no longer has to stay with Erica, so he heads home.

Marin receives news that her father, Dave Klein, Erica's ex-husband, whom Erica still allows to direct her plays, is getting remarried to Kristen, an ear, nose and throat doctor who is only two years older than Marin. Although Erica is unaffected by the news, Marin is devastated and pressures her mother into accompanying her to a family dinner. Erica is the life of the party until she sees Harry at another table with another woman. In the argument that follows, Harry suffers from what he believes is another heart attack, but he is told by the young ER physician, Dr. Martinez, who treats him like her father, that it was only a panic attack.

Although she is heartbroken, Erica figures that these events would be great to use in a play. Harry hears about it and rushes to the NYC theater where it is being rehearsed. Despite her denials, it is quickly obvious that she has used the most personal details of their affair in the play. Erica coolly rebuffs his every insinuation that he cares about her and hints that his character will die in the play—for a laugh. He then has another panic attack and is again treated by Dr Martinez, who warns him that he needs to learn to "decompress".

Six months pass. Erica's play is a huge success. Harry pays Marin a visit to apologize for anything he ever did to hurt her. She replies that he was nothing but nice to her and happily tells him that she is pregnant and has a new husband. Harry expresses a desire to see Erica. Marin tells him that her mother is in Paris celebrating her birthday. Harry decides to surprise Erica. Remembering how they had once planned to spend their birthdays together there, he shows up at the Parisian restaurant where she is seated at a table. Harry explains that over the past six months he reached out to all of the women he ever had affairs with, and even though repeatedly rebuffed at first, finally broke through. They all had identical harsh stories that helped him learn how "I arrived at being me." He tells Erica that his trip to find her was the last and the farthest. Julian appears. All along, Erica has been waiting at the restaurant for Julian, whom she is now dating.

Harry and Erica get along well during the dinner, but they part outside the restaurant. While he is gazing in heartache over the river Seine, Erica pulls up in a taxi. She explains that Julian figured out what was happening between them and decided to step aside to let her be with Harry. Harry explains that his search over the last six months has made him realize he truly loves Erica. Harry and Erica kiss.

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Act II (viii) My Life Without Me

My Life Without Me is a 2003 Canadian drama film directed by Isabel Coixet and starring Sarah Polley, Mark Ruffalo, Scott Speedman, and Leonor Watling. Based on the book Pretending the Bed Is a Raft by Nanci Kincaid, it tells a story of a 23-year-old woman, with a husband and two daughters, who finds out she is going to die soon. The film was produced by Pedro Almodóvar's production company, El Deseo.

Ann (Sarah Polley) is a hard-working 23-year-old mother with two small daughters, an unemployed husband (Scott Speedman), a mother (Deborah Harry) who sees her life as a failure, and a jailed father whom she has not seen for ten years. Her life changes dramatically when, during a medical checkup following a collapse, she is diagnosed with metastatic ovarian cancer and told that she has only two months to live.

Deciding not to tell anyone of her condition and using the cover of anemia, Ann makes a list of things to do before she dies. She decides to change her hair, record birthday messages for the girls for every year until they're 18 and tries to set up her husband with another woman.

Feeling a longing to experience a life that was never available to her, she seeks out a man to experience how it feels to be in a sexual relationship with someone other than her husband. Her experiment ends up taking an emotional toll when she meets with a man named Lee, who ends up madly in love with her and is left heartbroken when Ann breaks up. He meets with her one last time and says that he will do anything to make her happy, taking care of her daughters and even finding her husband a new job. She ends their relationship and never tells him that she is dying.

At the end of the film, Ann records a message to her husband, telling him that she loves him, and another one to Lee, telling him the same. She then leaves all tapes that she has recorded with her doctor, asking him to deliver them after her death.

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Act II (ix) Whatever it Takes

Whatever it takes is a 2000 American teen comedy film starring Shane West, Marla Sokoloff, Jodi Lyn O'Keefe, and James Franco. It was first released in the United States on March 31, 2000. The film is based on the play Cyrano de Bergerac.

Ryan (Shane West) is a bit of a geek with eyes for the school sex bomb, Ashley (Jodi Lyn O'Keefe), which induces cringing in his neighbour and best friend, Maggie (Marla Sokoloff), a cute, intellectual girl. But popular jock Chris (James Franco) has his eye on Maggie, and he offers to help Ryan win Ashley if Ryan will help Chris with Maggie. So begins a two-headed variation on Cyrano de Bergerac; Ryan composes soulful e-mails for Chris, and Chris advises Ryan to treat Ashley like dirt, which seems to be the only way to get her attention. At first, neither finds it easy to change their ways; Chris comes on too strong, and Ryan is too nervous to be a jerk. But as they start to succeed, Ryan begins to see Maggie in a new light and wonders if he's pursuing the right girl. He realizes Ashley is not meant for him and tries to convince Maggie about Chris's affection for her. Maggie is reluctant to take him "back" at first, but then realizes Ryan has a change of heart.

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Others

'looking that good should be made illegal'  (in Act II - (i) )–modified from the quote: - "It should be illegal to look this good in public. He should be confined to a museum and never let out in real life. His looks are distracting. They could cause an accident one day."

- T Torrest, Remember When 2: The Sequel

_________

Operations research, or operational research in British usage, is a discipline that deals with the application of advanced analytical methods to help make better decisions. Further, the term 'operational analysis' is used in the British (and some British Commonwealth) military, as an intrinsic part of capability development, management and assurance. In particular, operational analysis forms part of the Combined Operational Effectiveness and Investment Appraisals (COEIA), which support British defence capability acquisition decision-making.

It is often considered to be a sub-field of mathematics. The terms management science and decision science are sometimes used as synonyms.

_________

MRI and Angiogram

An MRI scan is usually used to look for aneurysms in the brain that haven't ruptured. This type of scan uses strong magnetic fields and radio waves to produce detailed images of your brain.

An angiogram or arteriogram involves inserting a needle, usually in the groin, through which a narrow tube called a catheter can be guided into one of your blood vessels. A local anaesthetic is used where the needle is inserted, so the patient won't feel any pain. Using a series of X-rays displayed on a monitor, the catheter is guided into the blood vessels in the neck that supply the brain with blood.

Once in place, a special dye is injected into the arteries of the brain through the catheter. This dye casts a shadow on an X-ray, so the outline of the blood vessels can be seen and an aneurysm can be recognised if one is present.

_________

"How do I love thee?" It is sonnet no. 43 from the "Sonnets from the Portuguese," written ca. 1845–1846 and published first in 1850, is a collection of 44 love sonnets written by Elizabeth Barrett Browning. The collection was acclaimed and popular during the poet's lifetime and it remains so today. Barrett Browning was initially hesitant to publish the poems, believing they were too personal. However, her husband Robert Browning insisted they were the best sequence of English-language sonnets since Shakespeare's time and urged her to publish them. To offer the couple some privacy, she decided to publish them as if they were translations of foreign sonnets. She initially planned to title the collection "Sonnets translated from the Bosnian", but Browning proposed that she claim their source was Portuguese, probably because of her admiration for Camões and Robert's nickname for her: "my little Portuguese".

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