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{13.17} πšƒπš‘πšŽ πšƒπš‘πš’πš—πš π™ΏπšŠπš›πš 1


PORTSMOUTH, RHODE ISLAND, 1925

MEN OF LETTERS CAPITULUM SEVEN

Chanting is heard as two robed and hooded men drag a struggling woman in a beaded flapper dress through the door into a candlelit bunker style room. They are followed by a leader dressed in an ornate burgundy robe carrying a chalice.

The Men of letters cultist continued to chant. "Insanidox koth munto."

The scene cuts between the hooded men chanting and gathering items and images of the men shackling the flapper to a stone table.

"No, please! No!" She Says

Emphasis is placed on a rusty metal box as the ornately dressed man prepares for a ritual. A chain is fastened around the still struggling flapper's middle.

We see robed hands crushing a fruit into the chalice, pouring in blood and then a vial of glowing blue angel grace. The chanting stops and the leader begins.

The Lead Men of letters cultist is holding the chalice above the woman on the table "Insanidox koth munto...Yokoth."

The lead cultist puts the chalice on the table and removes a chain from around his neck. The chain has a large purple crystal pendant.

He holds it over the chalice with his other hand held in benediction, the contents of the chalice begin to glow purple.

"Insanidox koth munto, Yokoth." He Says

"Yokoth!, Yokoth!" They Say

The crystal shoots a beam of purple light towards the ceiling where a interdimensional rift forms above the woman and the table. As the cultists chant, a large tentacle swoops out of the rift towards the woman who screams in terror.

______________________________

THE BUNKER

Sam is asleep at the map table and he is leaning over with his head resting on a book and his outstretched arm.

Dean then come's up behind Sam and carefully place a post-it note that reads "DUM DUM" on the back of Sam's shirt. Dean places a second note that reads "KICK ME" on Sam's back.

Sam stirs with a quiet grunt, and lifts his head, but remains asleep. Dean pauses shaking his head minutely, hoping that Sam won't wake up. Sam puts his head back down on his arm and Dean, satisfied that his brother is still sleeping, continues placing two more post-it notes on Sam's back.

The final two notes read "ASS FACE" and "I'M STUPID ASK ME." As Dean places the last note, Sam sit up with a groan, rubbing his eyes as he wakes up.

Dean jumps back looking guilty but then casually walks past Sam towards the chair at the end of the table as if he had just entered the room.

"Dean?" Sam Says, as Dean pulls out the chair and sits.

"Yeah?" Dean Says

"What are you doing?" Sam Asks

Dean gestures with his hands, casually picking up a coffee cup "Nothing. Uh, whatcha readin'?"

He takes a sip from the mug. Sam looks at Dean suspiciously and adjusts his shirt. He inhales deeply rubs his forehead and looks down at the book on which he'd been sleeping.

"Well..um...I finally found something on the Seal of Solomon, but-it's really weird." Sam Says

"Yeah, Hit me!." Dean Says, as he sniffs before taking a sip.

"All right." He starts reading from the book. "Then Mighty Solomon commanded unto his priests 'Bind my Seal.' But the jewel was of the cosmos." Sam Says

"Jewel of the cosmos? What does that mean?" Dean Says

"I don't know. Maybe a-a meteorite?" Sam Says

"Mm. Yeah, maybe. Well, forget what it is. Where the hell would that be?" Dean Says

"It doesn't say." Sam Says

"Okay, so, we've got blood of a holy man, we've got fruit of the Tree of Life, but this piece of Kryptonite, we've been through every book in this place, and we've got squat." Dean Says

Sam starts rubbing his forehead "Yeah. All right, I guess we should check the archives again." Then stands up heads out of the room.

"Great." Dean Says

BASEMENT, THE BUNKER

Sam and Dean enter the room and turn on the lights. There are four long rows of library style shelves lined with books and stacks of papers, several trunks haphazardly full of books and a table with four chairs in the foreground.

"All right. I go left, you go right." Sam Says

Sam heads to the left side of the room, Dean drops his head back as if bored and frustrated.

"I love books." Dean Says, even more sarcastically.

Dean shakes his fists in a fake cheer and moves to the right side of the room. Music plays as we see Sam and Dean pulls books from the shelves and sit at the table to begin reading.

In a series of short, cut scenes, they continue to select and bring back more material until the table is full of books. Eventually Dean looks up from the book he was reading with an expression of success that draws Sam's attention.

"What?" Sam Says

"Nothin'." Dean Says

The Montage continues and we see Dean throw a book through a shelf in frustration. Later he sits at the table, asleep while sitting up. Sam notices and slaps the table to get Dean's attention, they continue to sit and toss material away from them as the find nothing.

KITCHEN, THE BUNKER

Sam walks into the kitchen and catches a glimpse of his back in the mirror. He sees the post-it notes.

"Oh, come on. Are you kidding me? Dean!" Sam Says

Sam tries to pull the notes off of his shirt when Dean comes in the other door carrying a box.

"Sa--Hey." Dean Says

"Are you serious?" Sam Says

"What?" Sam points to his back angrily. "Oh, it's hilarious. Forget that, look. The Men of Letters found it. Solomon's treasure." Dean Says, then puts the box on the table and slaps it.

"Where?" Sam Asks

Dean opens the box and pulls out some papers.
"1917, in what is modern day Isreal. According to this." he shows Sam a document "They dug it up. And, uh, here, look at the, uh, right there."

"Uh, among the items found--a crystal that glows with an unearthly light." Sam Says

"That's gotta be the Seal, right?" Dean Says

"It's gotta be. Where is it?" Sam Says

"Uh, uh, it says that they took it to uh...Cap...Capitalum seven in Portsmouth,
Rhode Island." Dean Says

"Capitulum Seven?" Sam Says

"Yeah." Dean Says

"Capitulum means uh, chapterhouse." Sam Says

"Yeah." Dean Says

"So the Men of Letters has only one bunker, but they have smaller outposts all over the place. Capitulum One is in Jamestown. Capitulum Seven, I guess, is in Portsmouth, Rhode Island." Sam Says

"There is is." Dean Says, he's pointing at the document Sam is holding.

Sam and Dean look at each other in delight at having found it. Dean holds his arms out in a voilΓ  gesture.

"Jinkies!" Dean Says

Sam looks annoyed at the Scooby Doo reference, but Dean raises his eyebrows, clearly pleased with himself.

"You're going to stop saying that eventually, right?" Sam Says

"I don't know. Probably not. Look." He claps his hand in enthusiasm "Let's go!" Dean Says, then walks out of the kitchen.

ABANDONED BUILDING

The Impala speeds down a number of roads until Sam and Dean pull up outside a boarded up old brick building with a rusted out car covered in vines in front, they get out and walk around the corner of the building.

"You sure this is it?" Dean Asks

"That's what the map says." Sam Says

They walk through an open fence and there is scattered metal debris on the ground. They look around.

"So where's the door?" Dean Asks

Sam notices what looks like a manhole cover with
a symbol on it.

"Dean." Sam Says

Dean sees what Sam sees on the manhole cover

"Huh." Dean Says

"No way!" Sam Says

Sam brushes some leaves off of the manhole cover, revealing a stylized keyhole.

"Ask questions, get answers." Dean Says

Sam pulls out a box with a key like the one for the bunker. He puts the key in the hole, unlocks the cover and opens it.

From below we see the light from the open manhole, leaves falling into the dark tunnel from above. Dean lowers himself down, then Sam and they pull out flashlights.

"This way." Sam Says

With a loud clank, the lights are turned on and Sam and Dean turn a corner into a corridor strewn with books on the floor. They put their flashlights away and move down the corridor.

"Looks familiar, huh?" Dean Says

"Yeah." Sam Says

Sam pulls out his flashlight again and aims it at the wall where there is a Aquarian Star with an eye at its center.

"Except for that." Sam Says

"Hmm." Dean Says

Sam and Dean open a door to a dark room and they turn on the light to reveal a library like room. There are books on the floor and on the desks and tables. There are bookshelves on one wall and papers tacked to other walls. A large wooden card catalogue drawer set is by the door.

"Great. More books." Dean Says

"You love books. All right, look for anything on King Solomon." Sam Says

The two explore the room. Dean notices a sprawling pile of photographs on the table and sifts through them with his fingers. Sam looking at the contents of the room with his flashlight.

"Don't know where to start, Dean." Sam Says

Dean ignores Sam's comment when he sees one photograph that is apart from the pile of others and picks it up.

"Hmm." Dean Says

The photograph is of the Flapper that the MOL Cultists tied to the table in the Teaser. Dean flips the photo over and the back reads: Sandy Porter 5'3", 115 lbs, Eyes: B, Born: Feb 10, 1903.

Meanwhile, Sam finds a portfolio of papers on a shelf and notices that the top page reads: Solomon - 1917 and has the Aquarian star with the eye on the letterhead. Sam pulling the portfolio off the shelf, and knocking over a number of objects.

"No way, Dean?" Sam Says

"Hmm?" Dean Says

"Check this out." Sam Says

Sam brings the portfolio to a table when they hear a woman's voice in the distance, coming from another room.

"Who's there? Help me! Is someone there!?"

The brothers run out of the room to find the woman. As they run down a corridor she continues to call.

"Hurry! Please! Please! Hurry!"

Sam and Dean turn a corner and go up some stairs to a locked door. They break it open with their shoulders and enter the room from the Teaser. A woman, the one from the Teaser and the photo Dean was looking at, is chained to the stone table.

"Who are you?" She Asks

"We're here to help you. But..." Sam Says

"How long have you been down here?" Dean Asks

"I don't know." Dean Says

We see flashes of Dean's memories from the photographs in the library room. He recognizes the woman on the table to be the same woman from the photograph.

"You have to get me out of here." She Says

"Wait, are you...are you Sandy Porter? Born in 1903?" Dean Asks

"Yes." Sandy Says

Sam taps Dean's arm in confusion and the brother's exchange a look.

"Thank God you found me." Sandy Says

HELL

ASMODEUS' LAIR

A demon named Wallace is standing in a corridor, guarding the door to Asmodeus' throne room. Arthur Ketch walks swiftly around the corner and goes to enter Asmodeus' throne room, Wallace stops him.

"No, no, no, no. Asmodeus is busy." Wallace Says

"Then why did he call for me?" Ketch Asks

"Don't know. Ask him yourself when he's ready, which he isn't, because he's busy, so..." Wallace Says

"Might you have something to read?" Ketch Says

Wallace motions towards a bench and returns to the door.

_______________________________

MEN OF LETTERS CAPITULUM SEVEN

Sam closes the manhole cover and he, Dean and Sandy move towards the Impala. Sandy is wearing one of the boys' purple plaid shirts over her flapper dress. Sandy is startled by an airplane flying above.

"That's...not possible." Sandy Says

"It's true. Sandy, it's 2018. You were down there for almost a 100 years." Sam Says

"No. You're lying." Sandy Says

"Sandy, I know it's a lot to take in, okay. But..Well, look, this is--what a car looks like now." He gestures towards the Impala "Well, they should." Dean Says

Sam pulls his cell phone out of his pocket "This...this is a phone, and a camera and...everything else."

Sam hands Sandy his phone and hold the back door of the car open.

"Welcome to the future." Dean Says

"Please." Sam Says

The boys get in the car while Sandy stares out the back passenger side window in awe and confusion.

HELL

ASMODEUS' LAIR

Ketch is sitting waiting for Asmodeus. He is reading a colourful children's book called "Leaps & Ladders" with a sour expression on his face. Wallace and another demon are talking while looking at a cell phone in the background.

"Yeah, no way. This thing's amazing. Look, you just click on the kitty video." He Snaps his fingers. "It loads, just like that. Look, napping in a sunbeam! Look at him! Look at this little guy. His little hat! Oh, yeah, I love cats." Wallace Says

As the demons chuckle at the video, Ketch silently gets up and sneaks behind the demons into Asmodeus' throne room.

The scene cuts to a close up of Gabriel's bloody face as the archangel moans through sewn shut lips.

"There we go. Oh, just a little more." Asmodeus Says

As Gabriel moans in pain, Asmodeus is extracting Gabriel's angel grace via a large metal syringe which he has inserted into the archangel's neck.

Ketch steps inside the door and observed Asmodeus and Gabriel. Asmodeus takes the syringe and injects the angel grace into his arm and sighs contentedly as he feels the grace in his system.

"Bad time?" Ketch Asks

Asmodeus removes the needle from his arm and turns to face Ketch. The door behind Ketch opens and Wallace enters the room.

"My lord, I...tried to stop him." Wallace Says

"Did you now?" Asmodeus Says

"Look, you called me for me, I came. If you don't need me, I have-" Ketch Says

"Ketch, Ketch, Ketch." Asmodeus Says

Asmodeus moves towards Ketch, passing Gabriel who whimpers and flinches as he walks past.

"My boy." Asmodeus Says

He grips Ketch by the shoulders and turns him back around towards the door.

"I called you 'cause you work for me." He ushers Ketch out the door and back to the bench in the corridor with a hand on his back. "And I need you, when I need you." Asmodeus Says

"That's not our arrangement, and I'm not the help. This is a freelance contract." Ketch Says

"So be a good lad...and wait." Asmodeus Says

Asmodeus flashes his yellow eyes at Ketch who glares at him, but ultimately Ketch nods and sits back down. Asmodeus turns and goes back into the throne room.

KRISPY'S DINER

Amy, one of the waitresses is taking an order.

"Amy." Buck Says

"Hey, Buck. Have you decided what you want?" Amy Asks

"Yeah. I'd like to try something different." Buck Says

The camera goes wider and we see Joanne, the other waitress talking to the cook.

"Poor Buck. He comes in here bird-dogging after Amy and she won't give him a simple yes or no." Joanne Says

Marco the cook just smiles, Joanne turns around to watch Amy and Buck.

"Well, whatever you think Amy, I mean, you know better than me." Buck Says

"Still, if Amy don't want any, I'll go a few rounds with that boy." she laughs and turns back towards the silent cook "Oh...I like talking to you Marc. You make me laugh." Joanne Says

The diner door opens and Dean and Sam enter escorting Sandy.

"Sit anywhere you like, hon." Joanne Says

Sandy looks up at the lights on the ceiling "Everything's so...electric."

Dean ushers Sandy into a booth. Marco the cook sees Sandy. A dismayed look crosses his face. Sandy examines the tabletop jukebox. Dean sees her, pulls a coin out of his pocket and picks a song. Jay Ramsay's "Better Luck Next Time" begins to play. Joanne comes to take their order.

"Folks, what'll it be?" Joanne Asks

"Uh, well, what's good?" Sam Asks

"Well, people love the clam cakes, but if you ask me you gotta try the stuffies." Joanne Says

"I don't know what stuffies are. I'll take two. And the clam cakes." Dean Says

"Anything to drink?" Joanne Asks

"Uh, water will be great." Sam Says, gesturing at everyone at the table.

"Oh, that's exciting. It comes with a lemon. You sure you can handle that? How about you sweetie? Oh my goodness, you're all skin and bones. When's the last time you ate somethin'?" Joanne Says

"You know what, let's get her the uh, the-the meat loaf." Sam Says

The camera pans away from the table and back into the kitchen. Marco is pulling out a phone and makes a call. We see the recipient of the call, a young brunette woman. She has an Aquarian star with an eye in the middle tattooed onto her right forearm.

"Marco?" She Says

"We got a problem." Marco Says

As Marco raises the phone we see that he also has the Aquarian star with an eye in the middle tattooed onto his right forearm.

"Yes, we do. A very big problem." She Says

The brunette turns revealing that she is at Capitulum seven. She's looking at the table and chains were Sandy was being held. Meanwhile Sam, Sandy and Dean are sitting at the table awaiting their food order.

"I don't...How...How am I still alive?" Sandy Asks

"Um...we don't really know yet." Sam Says

"And..and how are you so calm about the fact that... I'm still alive?" Sandy Says

"This kind of weird. It's sort of our thing." Dean Says

"I- I don't know what that means." Sandy Says

"It means that we can help you. We just have to um... You know what, let's start with the basics. How did you get down there in the first place?" Sam Says

"I met this man. He said he was...part of a secret club. I thought he was talking about a speakeasy or something. But he called it Men of...words?" Sandy Says

"Men of Letters?" Sam Says

"Yes, how...how did you know that?" Sandy Asks

"Like I said, it's sort of our thing." Dean Says

"Wait a second. So these Men of Letters, they were the ones who-chained you down there?" Sam Asks

"I think. I..I.." Sandy Says

"Sandy, whatever happened down there, you're safe now, okay? We'll protect you. I promise." Dean Says

"There was chanting." Sandy Says

Sandy's memories flash back to the night that she was dragged in and chained up by the cultists.

"And then there was this...light." Sandy Says

She remembers the lead cultist chanting "Yokoth! Yokoth!" and the portal opening.

"Like a...rip in the air." Sandy Says

Sam and Dean exchange a significant look at that description.

"And it happened..." Sandy Says

She remembers the tentacles descending and wrapping around her.

"They were using me to...to feed it." Sandy Says

"To feed what?" Sam Asks

"The monster." Sandy Says, as Joanne approaches the table with a carafe.

"Sure I can't get you any coffee?" Joanne Asks

"Excuse me." Sandy Says

Sandy pushes Sam who moves to let her out of the booth. She heads towards the back of diner, presumably to the ladies' room.

"Sweetie, you okay?" Joanne Asks

Marco watches Sandy leave the main room and then pulls a small bottle out of his pocket. Using an eyedropper, he drips something onto the food Sam, Dean and Sandy had ordered.

He then walks to another part of the kitchen and pulls an old looking knife with a wicked curved blade off of a shelf where it was hidden. He thumbs the blade.

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